used to the idea that Harriet was no more.
She turned down the flame beneath the saucepan of water and added two tea bags. The kitchen was equipped with neither kettle nor teapot. At first she had minded, her cup of tea being a regular point in her routine, but now she enjoyed the slightly Bohemian feel to her saucepan tea-making. No âloveâin Veraâs letter. After nearly forty-five yearsâ acquaintance âBestâ was all Vera could manage.
*Â Â Â Â *Â Â Â Â *
The following morning Julia Garnet, this time with the Reverend Crystal in the pocket of her tweed coat (âFor really I must,â she insisted to herself, âfind out about this cityâ), returned to the basilica of St Mark. She entered not by the main door but by a less frequented doorway on the north side. It did not deter her that this side-slip into the cathedral was marked
âPer Pregareâ
âFor Prayerâ.
Inside, by long, hanging red and silver lamps, a door was open onto a side chapel. With no special thought in her mind she entered.
About a dozen people sat, in the vaulted, ancient-looking surroundings, listening to a priest reading from a leather book. Julia Garnet looked around. At one end of the chapel a blue mosaic of a huge Madonna gazed down; at the other, a tomb on which rested an inclined marmoreal figure observed by an angel. Twelve candles burned on the table before the tomb.
The priest came to the end of his reading and sat down. There was a pause during which Julia Garnet waited for something to happen. After a while it became apparent that nothing was going to happen, except the silence.
Her first response was annoyance. The Vespers in St Markâs had been dramatic: the flute voices of the clerics, the melodic bells, the incense, the enthralling rhythmic passing and return of the litany-chant thrown between priest andcongregationâcompared with the threnodic splendour of all that, this abrupt nothingness felt like a cheat. But after a while she began to enjoy the silence. She looked round at the mosaics which seemed to depict some awful martyrdomâcertainly there was a body and a tomb and, yes, surely that was the same body being removed from the tomb, and here how eagerly it was being hauled away. There was a kind of ebullience in the narrative which she made out on the chapel walls as if the dead man had, if not enjoyed, at least participated energetically in his own persecution.
She twisted her neck to look back at the blue Madonna and found a man in a serge suit staring beadily at her, as if his was the task of checking her credentials to be present at the ceremony and was hopeful of finding them wanting. Abashed, she turned from the Madonna to examine the other attenders.
All were women and one, two, three, four, five, sixâno seven of them in furs. Now there was a thing! Feeling in the pocket of her own tweed she remembered Veraâs letter and almost she started to laugh. What would Vera make of her sitting here in church among seven furs? And which would Vera abhor most? The chapel or the wealth? All the furs were elderly save one: a woman with a long daffodil pony-tail and high gold heels. âTarty,â Harriet would have called her. (Vera very likely would not have known how to use the word.) But Mary Magdalene had been a tart, hadnât she? It was surprising how much you remembered of your school scriptures, thought Julia Garnet.
There was a disturbance now at the door and three nuns dressed in white robes entered. They looked like an African order with their smooth brown skinsâbut so young! The nuns, and really they were no more than children, heavily crossing themselves knelt, so that Julia Garnet could see their thick-soled boots. Now one of them was elaborately prostrating herself and kissing the ground while the grave fur-clad ladies sat decorously in impeccable silence. How irritating the young nuns were, and how out of place the