Midnight Voices Read Online Free PDF Page B

allow nothing to intrude upon her vista of nearly unbroken parkland.
    And at night, one simply closed one’s drapes.
    This morning, though, was so perfect that the sunlight had drawn Irene to the glass like a moth to a bare light bulb, and even though the window hadn’t been opened in years, she was almost tempted to try to lift the heavy casement and let the morning air in.
    Almost, but not quite.
    As far as Irene was concerned, fresh air was fine in its place, but its place was definitely outside the confines of the Rockwell. Still, this morning it might actually be pleasant to undo the latch and raise the window, except she knew perfectly well that the latch wouldn’t undo, nor would the window raise; not without removing the layers of paint from the last three redecorations the apartment had been through. Three, at any rate, that Irene and Lavinia admitted to remembering. There had been a couple of more remodels, but they had been done in fashions that had proved to be nothing more than fads, and Irene had as easily shut them out of her mind as she shut the city out of her vision. But this morning she found herself not only gazing out at the park, but at the street below.
    A few minutes ago she had seen a little family going into the park: a woman, with her son and daughter. The moment Irene had first spotted them she had begun playing her little game of trying to figure out where they might be going and what they might be doing. She had watched them as they’d made their way down the sidewalk across the street, watched as the little boy kept glancing over at the building. She’d kept watching as they turned onto the path leading into the park and started down toward the Tavern on the Green. But surely they weren’t going to the restaurant this early? Was it even open? But they hadn’t been dressed for a restaurant. The boy was wearing jeans and a baseball jersey.
    A baseball jersey! Of course! They were going to the baseball diamonds down near the playground.
    And now here came Anthony Fleming.
    He was dressed almost perfectly, as always: gray flannel trousers, a pale blue shirt, and a navy-blue blazer with just the slightest hint of a bright red handkerchief peeping out of its pocket. It was the fact that he was wearing no necktie that forced Irene to qualify the perfection of his dress. Of course, Anthony was very stylish, which Irene appreciated, but there were certain styles that she really wished would pass.
    One of them was open-throated shirts on men. On a few men, she supposed they could actually be attractive. But all too many males of the species accomplished little more than displaying a thick patch of decidedly unattractive chest hair tangled around vulgar gold chains. That was something Irene could definitely do without. Not that she had any objection to flesh itself—it was the hair she disliked. There had been times in her life—and she hoped there would still be times yet to come—when she had certainly indulged in the physical pleasures of life. But aesthetics were important, which was one of the reasons Irene admired Anthony Fleming. Even from where she stood, she could tell that there was no unsightly hair protruding from
his
shirt. Anthony, even in his grief, knew how to dress.
    But while his grief may not have been evident in his clothes, certainly Irene could see a heaviness in his step, a seeming tiredness in his whole being. But it had been months now since the loss of Lenore, and even though she knew some of the neighbors might not approve, to Irene the proper thing was obvious. Anthony Fleming was a man, and if there was one thing Irene had come to understand over the long decades of her life, it was that men could not do without women. The reverse, of course, was not true at all; most women—and Irene certainly counted herself among them—could do very well without a man. Not that she had anything against them, per se. It was simply that it had been her experience that for the most