would have in the dark. After two months of being engaged we had nothing left to talk about, and without saying anything she brought up the subject of children by crocheting little boots for newborns from raw wool. I, the agreeable fiancé, learned to crochet wither, and in this way we passed the useless hours until the wedding. I crocheted little blue booties for boys and she crocheted pink ones for girls, we’d see who guessed right, until there were enough for more than fifty babies. Before the clock struck ten, I would climb into a horse-drawn carriage and go to the Barrio Chino to live my night in the peace of God.
The tempestuous farewells to bachelorhood that they gave me in the Barrio Chino were the opposite of the oppressive evenings at the Social Club. A contrast that helped me find out which of the two worlds in reality was mine, and I hoped that both were, each at its proper time, because from either one I would watch the other moving away with the heartrending sighs of two ships passing at sea. On the night before the wedding, the dance at El Poder de Dios included a final ceremony that could have occurred only to a Galician priest foundering in concupiscence, who dressed the entire female staff in veils and orange blossoms so that all of them would marry me in universal sacrament. It was a night of great sacrileges in which twenty-two women promised love and obedience and I reciprocated with fidelity and support for as long as we lived.
I could not sleep because of a presentiment of something irremediable. In the middle of the night I began to count the passage of the hours on the cathedral clock, until the seven dreadful bells when I was supposed to be at the church. The telephone began to ring at eight, long, tenacious, unpredictable rings for more than an hour. Not only did I not answer: I did not breathe. A little before ten someone knocked at the door, first a fist pounding and then the shouting of voices I knew and despised. I was afraid they would push down the door in some serious mishap, but by eleven the house was left in the bristling silence that follows great catastrophes. Then I wept for her and for me, and I prayed with all my heart never to see her again in all my days. Some saint half-heard me, because Ximena Ortiz left the country that same night and did not return until twenty years later, married and with seven children who could have been mine.
It was difficult for me to keep my position and my column at
El Diario de La Paz
after that social affront. It wasn’t because of this, however, that they relegated my columns to page eleven, but because of the blind impetus with which the twentieth century came on the scene. Progress became the myth of the city. Everything changed; planes flew, and a businessman tossed a sack of letters out of a Junker and invented airmail.
The only things that remained the same were my columns in the newspaper. Younger generations launched an attack against them as if they were assaulting a mummy from the past that had to be destroyed, but I maintained the same tone and made no concessions to the winds of renovation. I remained deaf to everything. I had turned forty, but the young staff writers named it the Column of Mudarra the Bastard. The editor at the time called me into his office to ask me to conform to the latest currents. In a solemn way, as if he had just thought of it, he said: The world is moving ahead. Yes, I said, it’s moving ahead, but it’s revolving around the sun. He kept my Sunday column because he could not have found another cable editor. Today I know I was right, and I know why. The adolescents of my generation, greedy for life, forgot in body and soul about their hopes for the future until reality taught them that tomorrow was not what they had dreamed, and they discovered nostalgia. My Sunday columns were there, like an archeological relic among the ruins of the past, and they realized they were not only for the old but also for the