donât.â
âRight. You listen to a different drum.â
âWhat?â
âNothing, nothing. I read it in a book or something. I wanted to go through that new routine, and now we ainât got time. Weâre on.â
Applying makeup quickly, Max said, âGo on, go on, weâll wing it.â
âYou sure?â
âIâm sure.â He gave Bert a friendly shove. âGo on, go on. Iâm not playing high and mighty, old buddy, I just got a nightmare thing about getting a dose.â
âNever been there myself,â Bert said. âJust lucky.â He did a soft-shoe out of the tiny room to face the manager, who whispered hoarsely, âWhere the hell have you been?â
âWay down upon the Suwannee River,â Bert sang.
âFunny, funny.â
Bert was onstage. A ripple of applause from behind the gaslights; no one expected very much from a two-man song and dance team. They were just part of the scene.
Bert bowed. âBellamy and ââ He looked around him, non-plussed. âBellamy and ââ He began again. Still he was alone on the stage. The repeated double-take drew some laughter from the audience. âWell, here I am,â Bert said, spreading his arms in despair, âthe only one-man two-man song and dance team in New York.â
It was a new opening. Bert could see Joe Guttman, the manager, standing in the wing, chewing on an unlit cigar. He was drawing it out too much, and in another moment it would go flat. Where the hell was Max? Why did he always allow himself to be talked into things by that smartass little Yid? Then Max appeared, shuffling out onto the stage, the very picture of dejection and rejection. Bert was not acting when he snapped at him, âWhere the hell have you been?â
âA man wants to be loved for himself ââ
âCan that! Here I am on the stage of the Bijou Music Hall, trying to introduce a song and dance team, of which I am a part, and I say, âIntroducing Bellamy and ââ and what?â Past Max, Bert saw the scowl on Guttmanâs face. He was taking it straight, with no idea that they were doing a new opening. The man was a fucken cretin, but they should have anticipated that and warned him, and now he could just drop the curtain on both of them. âAnd nothing,â Bert said desperately.
âSo I was late. You know what happened to me?â
âHow do I know? Iâm here at the Bijou.â
âWell, Iâll tell you what happened to me. Just calm down. Iâll tell you what happened to me. Two blocks away, right on the corner of West Broadway and Canal Street, Iâm stopped by a beautiful girl.â
âBeautiful girl. What was her name?â
âHow the hell do I know her name? We wasnât introduced. I wasnât taking her home. I was stopped by her.â
âYou were stopped by her. Canal and Broadway. Go on.â Bert breathed a sigh of relief. The rhythm of their patter had gotten through to Guttman even as he was moving to drop the curtain. He paused and turned to listen.
âI said, âLady, I donât do that kind of thing.ââ
âThatâs a lie. What did she say?â
âShe says, try it. Otherwise, youâll never know what youâre missing. So I tell her Iâd like to, but Iâm on my way to work.â
Bert licked his lips. âSo she says, âWhat a coincidence! We can work together.ââ
âHow do you know that was what she said?â Max demanded.
âWas that what she said?â
âI said that was what she said. Then she says, âLetâs work together.ââ
âAnd youâre not even beautiful.â
âThatâs what I told her. She said it donât matter.â
âDid you tell her you donât know up from down, boys from girls?â
âI told her. She said it donât matter.â
âWell, what
Elizabeth Amelia Barrington