information over and done some preliminary follow-up, if itâs needed. After that, if we decide to keep at it, weâll come up with a fair price. How does that sound?â
âOkay, I guess. Arenât I supposed to give you a retainer or something?â
I smiled and put a hand on his shoulder. âHow much you got on you?â
He took out his wallet and opened it. âUh, two bucks.â
âGive me a dollar, then, and weâll call it a deal.â We shook on it. I said, âOne more thing. I know youâre sure about who killed your mom, but Iâm not going to start with any preconceived notions. You okay with that?â
Picasso face tightened as if preparing to argue. But he must have thought better of it. He nodded. âFair enough.â
Chapter Five
I had a lot more questions for Picasso, but he was anxious to get back to work, and I had another errand to run. We decided to get back together at the end of the day. I swung back to the clinic around five, and we threw his bike in my trunk since he lived several miles north, on the east side of the Willamette. Before we left he went into the clinic and brought out an old Dell laptop that must have been three inches thick. âAlmost forgot this,â he said as he slid into the seat next to me. âI charge it up here so I can use it at night. Thereâs no electricity where I live.â
As we pulled away, I said, âI thought you lived around here.â
âUsed to, but I kept getting my stuff ripped off so I decided to move. Old Townâs still where I hang out, though, where my friends are.â
âWhere did you live after your mom was killed?â I asked, curious if heâd tell the truth about being homeless.
âAround,â was all he gave me. Then he pointed up ahead. âTurn left at the light. I want to show you something.â After we passed an acupuncture and medicinal herb shop called the Mystic Circle in the middle of the next block, he said, âPull over and look back.â
A huge mural covered most of the side wall of the building. I sat there taking it in for a few moments, then got out of the car for a better look. A man and woman stood next to an open grave. The manâs head was turned toward the woman, a hand resting on her shoulder. Holding the photograph of a beautiful young girl, the woman looked straight ahead. As I approached, her eyes seemed to lock on mine, stopping me in mid-stride. Her eyes were clear and bright but filled with pathos, anger, and something elseâ¦accusation? Yes, that was it. Accusation. She was so deftly rendered that I half expected to see her chest heave and nostrils flare as she took a breath. To her left, Death stood in his hooded black robe, smiling with garish teeth, his familiar sickle replaced with an assault rifle sporting a large banana clip. In the background, tombstones dotted a grassy knoll with names etched on themâColumbine, Springfield, Aurora, Virginia Techâ¦and scattered between the tombstones were other groups of mourners. Like the woman, they stared out at me with the same haunting, accusatory look.
I stood there in stunned silence. Aside from the pictures of the murals in Northern Ireland, Iâd never seen anything like it. Picasso had come up behind me. I dropped my voice to a whisper, âBeautiful work. Powerful.â I shook my head. âMakes me ashamed to be an adult in this country.â
Picasso nodded. âThanks. I, uh, guess Iâll have to add another tombstone now.â Sandy Hook. He didnât have to say it. We fell silent for several moments before he continued. âSome of the best art in the worldâs going up on the sides of buildings, man. I started out with a spray can, but once I saw Malikâs work, I knew what I wanted to do with my life.â
âYou used to do graffiti?â
âYeah. I mean, a lot of guys started out that way. Itâs not all bad, you