nose,â he concluded.
âOh,â the girl said, in a faint, far voice, and he noticed the shock in her sensitive face.
He felt a shock himself, and a blush of embarrassment shone faintly on his sunburned cheeks, though to him it burned as hotly as when his cheeks had been exposed to the open furnace-door in the fire-room. Such sordid things as stabbing affrays were evidently not fit subjects for conversation with a lady. People in the books, in her walk of life, did not talk about such thingsâperhaps they did not know about them, either.
There was a brief pause in the conversation they were trying to get started. Then she asked tentatively about the scar on his cheek. Even as she asked, he realized that she was making an effort to talk his talk, and he resolved to get away from it and talk hers.
âIt was just an accident,â he said, putting his hand to his cheek. âOne night, in a calm, with a heavy sea running, the main-boom-lift carried away, anâ next the tackle. The lift was wire, anâ it was threshinâ around like a snake. The whole watch was tryinâ to grab it, anâ I rushed in anâ got swatted.â
âOh,â she said, this time with an accent of comprehension, though secretly his speech had been so much Greek to her and she was wondering what a lift was and what swatted meant.
âThis man Swineburne,â he began, attempting to put his plan into execution and pronouncing the i long.
âWho?â
âSwineburne,â he repeated, with the same mispronunciation. âThe poet.â
âSwinburne,â she corrected.
âYes, thatâs the chap,â he stammered, his cheeks hot again. âHow long since he died?â
âWhy, I havenât heard that he was dead.â She looked at him curiously. âWhere did you make his acquaintance?â
âI never clapped eyes on him,â was the reply. âBut I read some of his poetry out of that book there on the table just before you come in. How do you like his poetry?â
And thereat she began to talk quickly and easily upon the subject he had suggested. He felt better, and settled back slightly from the edge of the chair, holding tightly to its arms with his hands, as if it might get away from him and buck him to the floor. He had succeeded in making her talk her talk, and while she rattled on, he strove to follow her, marveling at all the knowledge that was stowed away in that pretty head of hers, and drinking in the pale beauty of her face. Follow her he did, though bothered by unfamiliar words that fell glibly from her lips and by critical phrases and thought-processes that were foreign to his mind, but that nevertheless stimulated his mind and set it tingling. Here was intellectual life, he thought, and here was beauty, warm and wonderful as he had never dreamed it could be. He forgot himself and stared at her with hungry eyes. Here was something to live for, to win to, to fight forâay, and die for. The books were true. There were such women in the world. She was one of them. She lent wings to his imagination, and great, luminous canvases spread themselves before him, whereon loomed vague, gigantic figures of love and romance, and of heroic deeds for womanâs sakeâfor a pale woman, a flower of gold. And through the swaying, palpitant vision, as through a fairy mirage, he stared at the real woman, sitting there and talking of literature and art. He listened as well, but he stared, unconscious of the fixity of his gaze or of the fact that all that was essentially masculine in his nature was shining in his eyes. But she, who knew little of the world of men, being a woman, was keenly aware of his burning eyes. She had never had men look at her in such fashion, and it embarrassed her. She stumbled and halted in her utterance. The thread of argument slipped from her. He frightened her, and at the same time it was strangely pleasant to be so looked upon.
Elizabeth Amelia Barrington