are friends or relatives of the victims, did you know that?â
Paula shrank on the nearby chair.
âSo far as I know, weâre witnesses,â Jana said, ânot suspects.â
âAnd the story of the killer who returns to the scene of the crime, have you heard that one?â
On the wall behind Andretti was a poster showing a girl with Teflon tits who was biting her thumb with a naughty air.
âBull,â Jana said.
âWeâll see about that: where were you between midnight and six oâclock this morning?â
âAt home,â she replied calmly. âIn my workshop.â
âWorkshop for what?â
âIâm a sculptor.â
âIs that right. What do you make, totem poles?â
âHilarious.â
âThe thing is, you donât have an alibi, sweetie, thatâs what I see,â the head of the night squad declared. âAnd you, tranny,â he barked, âwhere were you?â
Paulaâs tears had made her mascara run, her heels and stockings were spotted with vomit, the sight of Orlando mutilated had struck her dumb, and this jerk terrified her.
âShe was at the Niceto for an audition,â Jana replied for her. âA club in Palermo: two thousand people can confirm it for you.â
âThat means that your pal Orlando was alone on the docks when he was attacked,â the policeman deduced.
âMassacred would be more exact.â
âYeah. Did he have enemies, this Orlando?â
The Mapuche shook her head.
âNo . . . We know lots of sons of bitches but nobody who would do that.â
âA matter of settling scores, did you think of that?â
âOrlando and my friend here were working for themselves, and they earned hardly enough to live on: that doesnât deserve that kind of ruthlessness.â
The policeman pretended he hadnât heard.
âWho else was close to Luz?â
Jana turned to Paula, or rather her colorless shadow.
âOnly us,â she mumbled from her chair.
âYouâve started talking again!â the sergeant observed. âSo: you donât know anyone who might give us information about Orlando?â
âNo.â
The giant receded like a tide of fuel oil into the chair, and crossed his meaty hands behind his head.
âIf I understand correctly, you claim that the victim has no friends other than you, and that youâre close to him but not to the point of knowing his last name,â he laughed. âThatâs some friendship!â
âItâs not friendship,â Jana said, âitâs loneliness.â
âOh ho! Do you at least know where he lives, your best friend?â
The Mapuche grimaced. âNo idea.â
âIn a barrio,â Paula threw in. âLa Villa 21.â
A slum in the center of town.
âFamily?â
âIn Junin . . . At least thatâs what Luz, Orlando told me. He broke with his former life and came to Buenos Aires.â
âWhere he ran into the wrong person at the wrong place,â Andretti continued.
Paula was interlacing her fingers on the chair. The sergeant pushed back the keyboard of his computer, which resembled the shabby buildings in the neighborhood.
âSince you donât have anything else to tell me, you can go home,â he announced.
âYouâre not going to take our deposition?â Jana said, astonished.
âTo write what, that you know his first name?â
âYouâre going to inform his parents, at least?â
Andretti scowled at her in a special way. âYou know what they say around here, Indian: mind your own business.â
An old adage that had been widely repeated during the dictatorship. At that time, Jana hadnât yet been born.
âOur friend was massacred by a psychopath and thereâs every reason to think heâs still roaming the neighborhood,â she said. âLuz had a purse and clothes; if you havenât found