gag?â
âNo,â he said seriously. âListen, there is such a thing as knowing the big things in life from the little ones, of being able to tell when youâve been hit by a truck. All right, I own up, I have been. But youâve been making noises as though it hit you too, so why do you call it a gag? Whatâs stopping you from staying here, tucking away with me, and then as soon as youâre ready shoving off for Reno, Tahoe, Vegas, or wherever you want it done? Then we get married, thatâs all. And go on from there. Thatâs simple, isnât it?â
âLittle too simple, Clay.â
âHow, too simple?â
âInâall kinds of various ways.â
âIn one way, youâre damned right itâs simple: Youâll be here, thenâand not there, warming the hay for a husband, when he gets home from his show.â
âOh, so thatâs it!â
âThat among other things.â
âItâs one thing you donât have to worry about!â
She got up, smoothed her skirt, shook her hair, and declaimed: âWhen I heard about Busty Buster, that girl he has in his act, and what he was doing with herâI locked my door. Did you hear what I said, Clay? I locked it and locked it for good. It was just before Elly was born andââ
âElly? Who is he?â
âMy little boy, who do you think?â
âYouâhave a child? â
âWell my goodness, Clay, Iâm married! Wives do have children, donât they? Ellyâs three years old, and even before he came, I tell you I locked my door. Iââ
âI took you forâtwenty-two, three-years old.â
âIâm twenty-one, so happens.â
âThenâO.K., letâs get him too.â
âHeâs at his grandfatherâs now.â
She said Mr. El had sent for the boy, to spend the Easter holidays, and had kept him a few days longer, âand thatâs why Iâm free to traipse over here with you.â He said: âThen stay, and when weâre ready, go get him andââ
âStop being the Wild Man from Borneo!â
âIs that what I look like to you?â
âClay, I hate nutty ideas.â
âO.K., but whatâs nutty about it?â
âEverything.â
âIs there any good reason you canât?â
âYes! Elly, for one thing!â
âSo heâs hanging us upâand Iâll tell you what weâll do. I have an office back there, a spare bedroom, really, with fixtures and stuff in it that we can move out tomorrow, so workmen can come in, paint rabbits on the wall, and make a nursery out of it. Then weâll put in his trundle bed andââ
âPlease, please, please!â
She was touched, or seemed to be, and sat down on the opposite sofa, getting a handkerchief out of her bag, wiping her eyes and biting her lip. Then, quietly, she said: âYou made me cry, Clayâthat youâd feel so friendly to him, my own little boy, means something, I can tell you. But where he sleeps and the pictures he has on the wall arenât what Iâm talking about. Theyâre important, but theyâre not all.â
âYeah? And whatâs the rest?â
âHis full, fair share of a fortune.â
âThe Gorsuch fortune, you mean?â
âYes. Itâs whatâs been hanging things up.â
âThings? You mean, a divorce?â
âThatâs it. Between me and Alec.â
âAll right, Sally, I begin to get it now, but make it plain, will you? So I get the picture?â
âWeâre marking time, thatâs all.â
âOn what?â
âAâcertain event.â
âDo you mean the death of Mr. El?â
âWell, I could never make myself say it, but since you have, thatâs what weâre talking about. Until that event takes place, I dare not make a move, because he could resent it, Clayâand take