to warm fractionally. Her lashes fluttered in reflex. âHow kind.â
âMother, Iâm sorry, but Mr. Stanislaski and I have business to discuss.â
âOf course, of course.â Margerite walked over to kiss the air an inch from her daughterâs cheek. âIâll just be running along. Now, dear, you wonât forget weâre to have lunch next week? And I wanted to remind you thatâ¦Stanislaski,â she repeated, turning back to Mikhail. âI thought you looked familiar. Oh, my.â Suddenly breathless, she laid a hand on her heart. âYouâre Mikhail Stanislaski?â
âYes. Have we met?â
âNo. Oh, no, we havenât, but I saw your photo in Art/World. I consider myself a patron.â Face beaming, she skirted the desk and, under her daughterâs astonished gaze, took his hands in hers. To Margerite, the ponytail was now artistic, the tattered jeans eccentric. âYour work, Mr. Stanislaskiâmagnificent. Truly magnificent. I bought two of your pieces from your last showing. I canât tell you what a pleasure this is.â
âYou flatter me.â
âNot at all,â Margerite insisted. âYouâre already being called one of the top artists of the nineties. And youâve commissioned him.â She turned to beam at her speechless daughter. âA brilliant move, darling.â
âIâactually, Iââ
âIâm delighted,â Mikhail interrupted, âto be working with your daughter.â
âItâs wonderful.â She gave his hands a final squeeze. âYou must come to a little dinner party Iâm having on Friday on Long Island. Please, donât tell me youâre already engaged for the evening.â She slanted a look from under her lashes. âIâll be devastated.â
He was careful not to grin over her head at Sydney. âI could never be responsible for devastating a beautiful woman.â
âFabulous. Sydney will bring you. Eight oâclock. Now I must run.â She patted her hair, shot an absent wave at Sydney and hurried out just as Janine brought in a soft drink.
Mikhail took the glass with thanks, then sat again. âSo,â he began, âyou were asking about windows.â
Sydney very carefully relaxed the hands that were balled into fists under her desk. âYou said you were a carpenter.â
âSometimes I am.â He took a long, cooling drink. âSometimes I carve wood instead of hammering it.â
If he had set out to make a fool of herâwhich she wasnât sure he hadnâtâhe could have succeeded no better. âIâve spent the last twoyears in Europe,â she told him, âso Iâm a bit out of touch with the American art world.â
âYou donât have to apologize,â he said, enjoying himself.
âIâm not apologizing.â She had to force herself to speak calmly, to not stand up and rip his bid into tiny little pieces. âIâd like to know what kind of game youâre playing, Stanislaski.â
âYou offered me work, on a job that has some value for me. I am accepting it.â
âYou lied to me.â
âHow?â He lifted one hand, palm up. âI have a contractorâs license. Iâve made my living in construction since I was sixteen. What difference does it make to you if people now buy my sculpture?â
âNone.â She snatched up the bids again. He probably produced primitive, ugly pieces in any case, she thought. The man was too rough and unmannered to be an artist. All that mattered was that he could do the job she was hiring him to do.
But she hated being duped. To make him pay for it, she forced him to go over every detail of the bid, wasting over an hour of his time and hers.
âAll right then.â She pushed aside her own meticulous notes. âYour contract will be ready for signing on Friday.â
âGood.â