shining like obsidian in the greenness of the gardens.
Time passesâmonths flipped forward like the pages of the books you used to love so much. Your master sits behind the gleaming windowpanes of the house, smiling and sipping fine wines, ageless and fattened on the blood of his sacrifices. Your mother dies, and your friends move onâyour name becomes like you; buried, broken, and forgotten; your place long since taken in the library and, in the depths of the house, the circle where you died grows faint and bloodless, every scrap of pain long since absorbed to feed the magic that keeps the world at bay. Outside, the city is burning, tearing itself apart over polluted water, over grit-filled rice and rotten fish. Insideâgreen, verdant gardens; food on the plates; and music and love and laughter, all the things you used to take for granted, when you lived.
Time passesâthere is a girl who comes to sit by the riverâs edge. Who steals books out of the library and knots red ribbons into the raven curls of her hair, unaware of what lies beneath her. Who runs, laughing, with her friendsâexcept that you hear the slight catch of breathâfeel the slight stumble as, just for a moment, her heart misses a beat and her feet become unsteady on the ground.
âIsaure!â
âIâm fine,â the girl says, pulling herself together. She looks down, then, at the slight bulge of the earth. âThatâs funny. What isââ
âSsh,â the other, older woman says, shaking her head. âDonât speak of it. Itâs bad luck.â
Beyond the gardens, the house waitsâwalls of golden stone, paneled doors with intricate carvings that seem to come alive at night and, in the cellar underneath, the circle, almost faded to nothing now, the growing hunger of the houseâs magic, the price that must be paid, again and again, by those who cannot be allowed to live.
Iâm sorry, Charlotte.
Liar.
When Isaure comes back, she is paler; and unsteady on her feet; and red has bloomed on her cheeks like blood. âI know youâre here,â she says, standing over your grave.
You feel something shift within youâsome indefinable rearrangement of your selfâa femur, poking upwards, jellied muscles suddenly finding consistency, hair strands spreading farther and farther away from your remains, like tendrils extended toward the house. But youâre still here, still held fast by the earth, by the riverâs endless song, the lullaby that offers no solace or appeasement.
âThe others wonât talk about it, but I need to know.â Isaure sits, for a whileâno red ribbons in her hair, which tumbles thick and unruly in her lap. âIâI donât even know what happens.â
You could tell her, if you still had a voiceâof the day they will come for her, two footmen and a butler and the master behind them, solemn and unsmiling, and as grave as if this were her first communionâof how they will bring her to a part of the house sheâs never been to, a place of embroidered carpets and silk curtains and wide, airy roomsâof how they will comb her hair, doing it up with fine silver pins in the shape of butterflies, and give her clothesâa red dress, or a red suit, whichever she prefersâdelicate, luxurious confections embroidered with birds and flowersâbrand-new, for your own clothes were torn and stained when you died, and were as unrecognizable as your body was, a mess of stiffened lace and slashed cotton that they buried with you, not finding the heart to separate it from your mangled remains.
And then the slow descent into the cellarâthat tightness rising in her chest, as if the air sheâs breathing was being taken away from herâand the circle, and the altar, andâand a last draught of poppy, an illusory comfort that will not hold when the darkness at the heart of the house rises and she strains
Jean-Marie Blas de Robles