around the garden. Clippers in one hand, wooden trug in the other, she’d set off in search of the most beautiful stems available. She never rushed. She’d amble along the borders, stopping from time to time to stand in front of a bush, carefully considering which bloom to choose. It was painstaking. I almost pitied the flowers that Gran overlooked, the ones that she didn’t think were quite perfect and beautiful enough for her arrangement; the ones insects had gnawed through or more devastatingly had been blighted by some plant disease. Then, finally, she would select one. Snap, the stem would be severed in a swift sure cut, the bloom picked up and laid with reverence in her basket. Move on.
I found the process at once strangely thrilling and heartbreaking; which, I’ve come to realize, is true of everything to do with flowers. A bouquet sent to a birth is definitely to celebrate but also to acknowledge that the poor mum has a bruised vag; a wreath at a funeral is sent to express extreme sorrow but sent with love and respect.
Flowers are big, you see, complex.
As a kid there was nothing I liked to do more than watch my gran arrange the flowers she’d chosen. I spent hours watching her weave her magic, trimming the leaves from the lower half of the stem (or they would rot in the water, leading to a hideous smell), fearlessly snapping off sharp thorns from roses with her hardy, plump thumb (see, a rose can be improved upon, take away the thorns), swapping honesty for baby’s breath to create balance and harmony. Her displays were always moving. Some were refined, poised and taut. Others were jolly, vibrant and wild. They all seemed wonderful to me. My advice to everyone is never underestimate the power of a bunch of sweet peas tied up with a cheerful, colourful ribbon.
I am doing my best not to think about all the things I said to Adam on Friday and I’m doing a pretty good ostrich impression by throwing myself into my work. I’ve briefly told Ben about the row but I’ve insisted that we don’t discuss and dissect the matter. Ben’s happy to follow instructions; he doesn’t really like thrashing out anything tricky. He’s always saying that all he ever wants is for everyone to be happy, preferably all the time. Sadly, it’s not a very realistic aim and he doesn’t have a magic wand or an especially clear grasp on how that might be achieved (who does?). He’s a good businessman though. Precisely because he knows the value of dreams and the comfort of luxury, he is able to make a decent profit on both at Ben’s B&B. It’s a busy flower shop. Ben has carved out a nice little market in a chi-chi part of Clapham just off Narbonne Avenue. There are lots of yummy mummies who think that spending forty quid on a big bunch of lilies is essential shopping on a par with having milk in the fridge.
Working as a florist isn’t a bed of roses (excuse the pun). People think I spend my entire day drifting around in a soft-filter moment; in fact there are some aspects of the job which are genuinely gruelling. Early starts at the market three times a week, loading the van by myself and then driving back to the shop, through the morning rush hour, means that sometimes it feels as though I’ve done a day’s work before we’ve even opened the shop door. Adam is right, being a florist has made me strong and fit – there’s a lot of heavy lifting. Besides the physical aspect, being a florist demands tact and patience and sometimes a bit of mind reading; you wouldn’t believe how many customers seem only to know what they don’t want but have no clue as to what they do want.
Still, this week I’m grateful for the gruelling and absorbing aspects of the job. I volunteer to take Ben’s turn to go to market, I lug endless buckets of water around the shop as though I’m performing some sort of medieval penance, I rearrange the stock every day, I bone up on the life span of exotic flowers, even those we rarely sell, and I