happy with every one of the tracks.
The first single was ‘Tell Me’, a subtle hybrid of the classic Swedish dance band sound—saxophone, three chords—mixed with Beatles-style sections in a minor key, and a bridge that was almost like a folk song. It was a sure-fire Swedish chart hit, but so much more at the same time. Something for everyone.
At the beginning of May it was played on the radio for the first time, along with three other songs tipped to make the Swedish chart the following week: Thorleifs, Streaplers, Tropicos. And The Others. Lennart shed a few tears. It wasn’t until he heard the song on the radio that he realised how good it really was.
A couple of days later he and Laila had a gig booked. The promoter had asked them to used their old name, because that was what people were familiar with. Lennart had no objections; he saw it as a farewell to old times. From Sunday onwards they would be singing a new song, in more ways than one.
So they left Jerry, who was seven years old at the time, with Laila’s parents and drove the tour bus down to the park in Eskilstuna. It wasn’t a major gig, just the two of them, Tropicos, and some local talent called Bert-Görans.
They had played with Tropicos on a couple of occasions in the past, and knew both Roland, the lead singer, and the rest of the lads in the band. There was a fair amount of back-slapping and congratulation aimed in Lennart’s direction, because they all listened to the Swedish top twenty. Lennart managed to force out something positiveabout Tropicos’ latest song, ‘A Summer Without You’, even though it sounded exactly the same as everything else. They didn’t even write their own songs.
The evening went without a hitch. Lennart & Laila were even given the final spot, which meant that they had one up on Tropicos, so to speak, and they performed with considerable verve. Laila sang better than ever, perhaps because she knew it was a kind of swan song. Lennart had explained that they would never play these songs again, so as Laila tugged at the heartstrings with the final notes of ‘Summer Rain’ which ended their set, several members of the audience had tears in their eyes, and the applause was unusually enthusiastic.
Lennart had considered finishing off by mentioning that they would be called The Others from now on, and ‘don’t forget to listen in on Sunday’, but in light of the applause it just seemed petty. He allowed Laila to have her swan song in peace.
Afterwards they had a few beers and a bit of a party. Lennart got talking to Göran, the guitarist with Bert-Görans, who also had greater musical ambitions than the rigid chart formula usually allowed. He expressed great admiration for Lennart’s skilful interweaving of listener-friendly dance band tunes with what he called, ‘more continental elements’. He was convinced this was the way forward, and they raised a glass to Lennart’s future success.
When Lennart went to buy the next round, he couldn’t find his wallet. He asked Göran to wait and hurried back to the other room, purring like a cat inside. He couldn’t help it, there was something special about being praised by someone who actually knew what they were talking about. And Göran had proved himself to be a pretty good guitarist, so surely it was just possible that…
Lennart opened the door and his life was kicked in a completely different direction. He was looking Laila straight in the face as she stood there, bent over a table, her fingers spread wide. Behind her was Roland with his trousers around his ankles and his face turned up towards the ceiling as if he were suffering some kind of cramp.
Lennart had obviously disturbed them at a critical moment, because when Laila caught sight of him and launched herself across the table in a reflexive door-closing motion, Roland groaned as he was wrenched out of her. He grabbed hold of his cock, but couldn’t manage to stop the ejaculation; the semen spurted,