look uptight, Emma,â Oliver York said in his genuine upper-class English accent. âOr do you continue to insist I call you Special Agent Sharpe?â
âAgent Sharpe will do.â
âMmm. That sort of call, is it?â
âItâs always that sort of call, Oliver.â
Sheâd placed her laptop on her coffee table and was seated on the sofa in her small living room. Just as well they were talking here instead of her FBI office. Nothing about her relationship with the wealthy Englishman, sheep farmer, mythologist and serial art thief was regular. He was in his late thirties, with curly tawny hair and lively, light green eyes. His features were deceptively boyish, betraying none of the psychological trauma and physical pain he had suffered as a child.
âI see.â He narrowed his gaze on her. âFor someone usually so cool and analytical, this uptight look of yours worries me. You and Colin havenât canceled the wedding, have you?â
âItâs Agent Donovan and no, we havenât.â
âHave you relented and decided to invite me after all? Is that why you texted me?â
âIâm not inviting you to my wedding.â
âIs Agent Donovan inviting me, then?â
âNo.â
âA pity, but Iâll send a gift, regardless.â He sat back, putting a bit of distance between him and his screen. âYouâre home early. I recognize the moody seascape on the wall behind you. Itâs the work of our fair Irish artist friend, Aoife OâByrne.â
âItâs a signed print. I canât afford her original art.â
âWho can these days? But a signed print is worth something. Itâs only four oâclock here. That means itâs just eleven in the morning in Boston. Did you get fired?â
âNot yet. It could happen anytime with you in my life.â
âI see you tried and failed to smile while making that comment. What can I do for you, then, Agent Sharpe? Does the FBI need my help given my expertise in mythology?â
Emma barely heard him. She was looking past him, taking in his surroundings. She recognized the bright, contemporary furnishings and the view from the partially open window behind him of the Irish Sea. âOliver...â She gritted her teeth. âOliver, youâre in Declanâs Cross. Youâre in a seaside room at the OâByrne House Hotel.â
âI am, indeed. Iâm taking in a delightful breeze off the sea as we speak. Spring on the south Irish coast is quite lovely. I believe Iâm in the room where you and Colin stayed on your last visit this winter.â
âItâs not the same room.â
âAs if youâd tell me if it were.â
âWhy are you in Declanâs Cross?â
âI couldnât resist Kitty OâByrneâs scones.â
Kitty was Aoifeâs older sister and the proprietress of the boutique hotel, which a decade ago had been a rambling old seaside house owned by their uncle. Ten years ago, the house had been broken into by a clever, brazen art thief, still officially unidentified and at large, although the stolen works had mysteriously reappeared last fall.
Oliver did have nerve.
âIâm leaving once weâve finished our chat,â he said. âKitty kindly allowed me a late checkout without extra charge. So, my dear, if youâre tempted to sic the Irish guards on me, thereâs no need.â
He was referring to the GardaÃ, the Irish police. Kittyâs love interest happened to be a Dublin-based garda detective who owned a farm in Declanâs Cross.
Sean Murphy would love an excuse to interrogate Oliver York.
âIâm not going to sic the guards on you,â Emma said. âBut if youâre hatching a plan to resteal the art you returned to the OâByrnes, you can forget it. Youâll be arrested. MI5 wonât be able to save you.â
Oliver waved a hand. âYou and