Lament for a Maker Read Online Free PDF

the wall and was doitering about with it like mad Hamlet looking for King Claudius of Denmark. But this time Guthrie looked straight over Isa’s head as usual and muttered something about having such airs that folk might know you kept a sword upstairs – and, at that, upstairs he went, sword and all, and wasn’t seen again that forenoon.
    But at lunch time came another shock, for the laird must needs be served in the great chamber, a dark grand place that spoke of the pride of the Guthries in times gone by. Chill and echoing, the echo half muted by the chill damp air, it was choke full of lumber at one end and had a regular minstrel chorus of rats in the gallery at the other. Before a carven fireplace, that big you could have stalled two–three shetland ponies in it, was a long Flemish table, sore eaten by the worm, and down this Guthrie and his ward Christine Mathers faced each other – with wee Isa Murdoch, right feared now by the whole unco stour, bringing them their bit stewed rabbit not on some old cracked ashet but on a half-polished silver dish. Syne Guthrie ordered up wine from the cellar and when the dusty bottles were before him he gowked at them as if they held some strange elixir new-sent him from another planet, as well he might seeing that nothing but water and milk was ever drunk at Erchany. Mistress Hardcastle had sent in a corkscrew, Guthrie’s hand hovered on it as if he would open a bottle and see, then he started up and called to them to get on with their work and that they hadn’t yet opened the gallery.
    Going upstairs Isa asked Christine did she know what the laird was about, and after all these years was he going to hold in with the gentry? But Christine seemed to know nothing, her thoughts were far away as ever, it was but a dreaming life she had led at Erchany, though with passion maybe behind every dream. So Isa was none the wiser, and presently they were at the stair head and facing the gallery door.
    The Erchany gallery was the work of some late seventeenth century laird, building before the lust for distant commerce nigh beggared Scotland and the Guthries. He had been among the English and liked fine the way they builded their great houses in Tudor times; at Erchany he knocked all the topmost rooms together and made a long low gallery. Three turns it had to it and would have been a right roundabout but for the tower – for he couldn’t drive his fancy through the nine foot walls of that. ’Tis said that after building it the Guthrie was fair out of patience on all but smoring wet days: then he would dander round his gallery getting exercise, as blithe as a laverock. For a Guthrie ’twas an innocent pleasure enough.
    None had ever been in the gallery in Ranald’s time and when Christine and Isa took a keek at the door they must have felt none would ever enter it again. There was but the one door, massive and iron-bound, and it was here that Guthrie, closing nigh all Erchany forty years since, had cheated the locksmith of his labour. Christine turned pale, Isa said, as she glimpsed the fury that had gone to the closing of that door. Great nails had been driven slantwise through the boards deep into the jamb, the blows with the strength and skill to them of a man who had handled axe and hammer in the Australian bush. It was to save his silver that Guthrie, near-going that he was, had put shutter and key to Erchany, but here surely was some other passion, forty years past or forty years hidden, that had yet left record of itself like a sculptor’s passion, deep bitten into the dark oak.
    Up to this the laird, save for an order here and an order there, had taken small part in the confloption he was causing; almost, Isa said, he seemed misdoubting of what he was about. But now he came upstairs and saw the two women standing helpless before the gallery door, and sudden he fell into a fair stamash. It was seldom Guthrie raged, cold and proud he was and with a strange cruel courtesy, and it