knew more about what Winston needed, but Greg had only left a note on the refrigerator. Though they shared an apartment, they were hardly ever home at the same time, and since he was in the middle of rehearsing for an off-off-off-off Broadway show, sheâd been unable to catch him before the interview.
She shot a glance toward the receptionist, who didnât even look her way. So Lisa spent the next thirty minutes doodling and making anagrams out of her name, until sheâd wasted so much time she was beginning to get irritated. Trying for haughty, she stood up, tucked her planner under her arm, and marched toward the anorexic receptionist.
The woman blinked, but didnât say a word.
âItâs been almost an hour,â Lisa said, trying to remain polite. âI have other meetings that I really canâtââ
âNo problem.â
âGreat. Thanks.â
The girl poised her pen over the open appointment book. âWhen would you like to reschedule?â
âOh, uh,â Lisa stammered. âI guess Iâll have to check my schedule.â
The girl raised an eyebrow and waited, and Lisa knew perfectly well that Millerâs receptionist wasnât buying it. The question now was, did she keep her pride and walk out, or did she fall to her knees and beg?
âWell?â the girl asked, the end of her pen tapping the appointment book.
âRight.â Lisa started flipping pages. Sheâd reschedule for tomorrow. That way sheâd lose twenty-four hours inher job hunt, but sheâd save a tiny bit of pride. âHow about tomorrow?â
âNo go.â The girl trailed the tip of the pen down the page, then flipped over a few days. âI can squeeze you in next Tuesday.â
So much for pride. Time for some serious begging. âUm, listenââ
âMiss Neal!â
She spun toward the source of the nasal voice, thrilled to be getting a reprieve from her fib.
âCome in, come in.â Winston Miller practically bounded toward her, shook her hand heartily, then led her back into his office. âSorry to keep you waiting. Been on the phone with Los Angeles all morning.â
Lisa stifled a smile. As far as she knew, there were several million people in L.A.; she doubted Miller had been chatting with all of them.
âSo, Greg tells me youâre the man for this job.â He motioned her toward a cushy chair as he slid behind his desk. âI understand youâve got quite a range of experience.â
âThatâs true,â she said, wondering how much her friend had told him. Sheâd known Greg for almost five years, ever since heâd had a bit part in a Drake Tyrell film that sheâd associate produced. Flamboyant and opinionated, Greg had a wicked sense of humor that got her through some rough times during filming, and theyâd spent hours eating bad food at the craft services table. By the time the shoot was over, theyâd become fast friends and roommates.
Only Greg knew how scattershot her production experience had been. Certainly, sheâd never told her family how bad times had become. From script supervisor to artdirector to property master, sheâd held all sorts of jobs sheâd never expected and didnât want. Hardly what sheâd anticipated five years ago when sheâd followed Tyrell to New York with delusions of producing award-winning films. Still, the odd jobs paid the billsâat least until recently when work had seemed to dry up. Now, though, she couldnât imagine which aspect of her background Greg thought was worthy of Millerâs attention.
Miller leaned back, his leather chair squeaking. âWhat did Greg tell you about the job?â
âHe told me youâre producing a sequel to The Velvet Bed and that youâve got some key positions to fill.â The erotic adventure, set in Manhattanâs hot spots, had been a surprise hit, solidifying Avenue