retained to teach them about self-defense. Keep low, he said, and recited statistics about driveby shootings in the ghetto. As she looked up at him from the couch in the living room of her sorority house, Joan imagined him as the kind of man who instructed the ROTC guys in military lore. He was really butch. Joan found him sexy. He knew how to tell people things so they remained in their consciousness. The consultant enjoyed a vogue on her campus, he was a prophet of anticrime come to deliver them from the rape scare. When she heard the first shot Joan dropped between the folding chairs and sent her pen flying.
She sees her pen a few yards away, next to someone’s lost sandal. A new wave of screaming starts; a new realization of what has happened thrashes around in traumatized skulls. Joan struggles to do what any journalist would do in this situation. The final event of John Henry Days was her first assignment,it turned out differently than expected, and she remembers instructions from last semester’s Intro Journalism class. She crammed late-night in her pajamas with a friend, deciphering her lecture notes for the final and dropping microwave popcorn. Joan is single-minded. She navigates through the overturned chairs. Everything is so bright. People congregate in groups and pat each other’s bodies. They dangle and sag. She makes her way to the sidewalk. Cars are hum still in the street, their doors open and mysterious and full of tales. It reminds her of a nuclear war movie.
She approaches an older couple dressed in identical green and red jogging suits. She identifies herself as a writer for the
Charleston Daily Mail
and asks them what they have seen. The witnesses point up to the bandstand. The witnesses point to the groups ministering to the dying. She canvasses the witnesses and tries to get the story. When Joan gets to the telephone outside the barbershop she tries to remember her parents’ calling card number and has a little bit of difficulty.
Joan gets through to the editorial desk and informs a man about the killing spree. She sees a tan police car enter the square. Her use of the words killing spree is questioned by the man working the Sunday slot, who asks her to identify herself and slow down. Joan is the intern for the Life section of the
Charleston Daily Mail.
She had been very excited early in the spring that she might get the chance to write about fashion, a desire she expressed to her parents during their Sunday evening phone call. Her father got on the phone to her uncle. Her uncle, a successful lawyer who had many influential friends, got on the horn to the sales director of the
Charleston Daily Mail,
who made calls of his own. Then disaster struck. Around April Joan discovered that her three best friends were going to travel in Europe for the summer. Joan fumed; she wished they had told her earlier, they were supposed to be best friends. But she had already given her word committing to the internship and her parents told her that to back out would make her look irresponsible. In addition, they had paid for her trip to Europe the summer before and did not want to spoil her. A compromise in the form of a new car to facilitate her commute between home and office restored the family to its customary state of goodwill.
Joan tries to slow down on the phone. The slot man tells her to just slow down and tell him what happened exactly. For a second, the men standing over the journalist part and she can see his bloody chest and slack mouth. The sales director of the
Charleston Daily Mail
took her out to lunch the first day of her internship and described the history and traditions of the paper, pantomimingcertain key moments with his hairy fingers. Joan’s duties include opening mail, calling for art, and taking messages. There are occasional perks. One time the film editor said, anyone want a pass to a movie, and Joan took her best friend from childhood. In the movie they sat next to a beautiful news