continue to be in here long after I’ve been found not guilty.
On one side of me is Kenny Jefferies. Kenny Jefferies is a man of three lives. In one life he is, or was, the guitarist for a heavy metal band. They called themselves Tampon of Lamb. They released two albums and built up an audience of people who like their music on the raw and bloody side, and went on tour. Then they released a greatest-hits album, and then people found out about Jefferies’s second life, which meant no more tours and no more albums. It was his second life that made him a household name—the media began to call him Santa Suit Kenny. In his second life he was a child rapist who would dress up as Santa to draw his victims away from their parents. As one of the prison guards here said a while ago, only the children can know which of those two professions Jefferies was better at. The guard summed it up by saying I sure as hell hope he was a better rapist than he was a singer, because he was a fucking awful singer.
Jefferies’s third life is as a convict. Sometimes he sings or hums music I can’t understand. Sometimes he’ll play a guitar that isn’t there, he’ll strum the air and sing about torture and pain, which must hurt his throat. When I think about heavy metal music, I think the evolution of mankind has peaked and we’re surfing the downslope to becoming monkeys again.
On the other side of me is Roger Harwick—though more commonly known as Small Dick. And it’s not like when people call the big guy Tiny to be ironic. Harwick struggled with his victims. It’s not that he didn’t have the desire to perform, he just didn’t have the “tools.” My guess is he was attracted to children because he thought they’d be a better fit. Only he was wrong. It made him famous in the media because his failed attempts made him a joke. He was the comical child molester—or at least as comical as a child molester can be—and compared to some of them in here, it makes him hilarious. So right now I’m surrounded by celebrity pedophiles—and it’s the safest place to be. That’s why I’m here. Away from general population, where my neck won’t get snapped by any one of a thousand inmates up to the task. My entire cellblock is full of guys like Jefferies and Harwick. In the mornings we’re all kept in our cells, but when twelve o’clock comes around we’re all let out into a common area, thirty of us in total, not too many inmates to control. Some of us stick to ourselves, some try sticking filed-down toothbrushes into each other, some try sticking body parts into each other. We share a kitchenette and a bathroom, and we can go outside into a caged area big enough to swing a dead puppy, but too small to swing a dead hooker by her ankles. If small is cozy in real estate terms, then a real estate agent would list this entire cellblock as being super fucking cozy.
There isn’t a lot I can do in my cell, but I do have options. I can sit on the edge of my bed and stare at the wall, or I can stare at the toilet, or I can sit on the toilet and stare at the bed. It’s been a painful twelve months. There’s the occasional interview from the psychiatrist, but after this morning’s performance I think those might be over. My mom has come to see me twice a week every week. Monday and Thursdays. For the most part it looks like prison is all about boredom. If I was in general population I’d be less bored, but I’d also be dead. All I have is a couple of books in the corner of my floor and people in cells next to me who can’t go three hours without masturbating loudly. Next door, Santa Suit Kenny is humming “Muff Punching the Queen.” It’s the title track of their first album and the song that made them famous. He’s tapping his foot against the floor. I pick up one of the romance paperbacks and open the covers, and the words blend into one and hold no attraction for me whatsoever. I keep thinking I ought to write my own book. Teach
Massimo Carlotto, Anthony Shugaar