magpie.
In any case, Wren lifted it gracefully to Alobar's mouth, and as the singers fell silent and the dancers froze, he gulped it down. Presently he commenced to writhe. His face turned the color of the pine boughs. He toppled over and, green tongue lolling, thrashed about in the mud. Noog approached, recovered the crown that had spilled, and placed it upon the head of the young hero who had taken Alobar's place on the throne. Alobar kicked with both boots, then lay still.
The new king flicked a dab of green foam off the throne. He raised his spear and smiled. Cheering broke out in the city, but it was shortlived because Mik lunged for the bronze chair and would have chewed off the occupant's leg had he not been restrained. No sooner was the hound muzzled than a new snarling began. This time it came from Frol, the fourteen-year-old concubine, who horrified the crowd by pulling the magic mirror from inside her maternity gown and smashing it against the logs of the bonfire.
The burial mound was outside the city walls, in a field dotted with cow pies and large stones. The stones had been arranged geometrically in patterns that were supposed to mean something to the gods. Presumably, the cow pies had fallen at random, although then, as now, the division between what is random in nature and what is purposeful is extremely difficult to determine.
Warriors carried Alobar's body to the mound's summit, where a shallow indentation had been dug. After the body was laid in the hole, the councilmen covered it with dirt. They sprinkled' mead on the grave. They chanted an incantation half as ancient as the stones in the field; words arranged, like the stones, in sensuous patterns; words that saber-toothed tigers may once have overheard. There were no tears, except the ones that Frol had shed back in the citadel yard. Death was not a weeping matter. The indentation in the mound-top represented the navel in the Great Belly. Alobar was back where he had begun. Birth and death were easy. It was life that was hard.
Alobar was back where he had begun. But not for long. As soon as the funeral procession had wound, imitating the undulations of the Serpent, back through the gates of the city, Wren ran from the shadow of an upright stone and started frantically to dig him out. Only two feet of earth lay over him, so he was soon uncovered. She had a vessel of mead concealed in her cloak, part of which she used to clean dirt out of his mouth and nostrils. The remainder she poured down his throat. A potent beverage, the mead gradually counteracted the effects of the nightshade belladonna that she had placed in the egg. Since belladonna, in small amounts, will slow heartbeat, it had helped Alobar feign death. Wren also had stuffed the egg with algae that she had scooped off the surface of a stagnant pond. It was the algae that had given the green cast to his skin.
There had been no fatal' poison in the egg Alobar devoured. Following a plan they had devised in the week between Noog's discovery and the execution ritual, Wren had secreted Noog's death egg in her bodice while she waited in the hut, substituting an egg filled with the algae and a nonlethal dose of nightshade belladonna.
Alobar was considerably dazed, but as soon as he demonstrated to Wren's satisfaction that his breathing was of sufficient velocity to billow the sails of his soul, she left him. "I must return ere I am missed. I have to prepare myself to receive my new husband." The last she said matter-of-factly, but she rubbed his nose poignantly before fleeing.
As dazed as he was, Alobar had the presence of mind to let his body roll down the slope of the burial mound, which was starting to be illuminated by a rising moon. He came to rest in shadow. He also came to rest in a more or less fresh cow pie—but he uttered no oath. / may be mad, he thought, but I prefer the shit of this world to whatever sweet ambrosias the next might offer.
East was good enough for the morning star,
Charles Tang, Gertrude Chandler Warner