Jennifer Morgue

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Book: Jennifer Morgue Read Online Free PDF
Author: Charles Stross
stand up and glance round. I thought I was here for a routine committee meeting, but suddenly I find I'm standing on shifting sands, in possibly hostile territory. The middle-aged swingers glance disinterestedly at me, but my wards aren't tingling: they're just who they appear to be. Right. Go directly to bed, do not eat supper, do not collect... I shake my head and get moving.

    To get to the elevator bank from the bar requires crossing an expanse of carpet overlooked by two levels of balconies — normally I wouldn't even notice it but after Angleton's little surprise the skin on the back of my neck crawls, and I clutch my Treo and my lucky charm bracelet twitchily as I sidle across it. There aren't many people about, if you discount the queue of tired business travelers checking in at the desk, and I make it to the lift bank without the scent of violets or the tickling sense of recognition that usually prefigures a lethal manifestation. I hit the "up" button on the nearest elevator and the doors open to admit me.

    There is a theory that all chain hotels are participants in a conspiracy to convince the international traveler that there is only one hotel on the planet, and it's just like the one in their own home town. Personally, I don't believe it: it seems much more plausible that rather than actually going somewhere I have, in fact, been abducted and doped to the gills by aliens, implanted with false and bewildering memories of humiliating security probes and tedious travel, and checked in to a peculiarly expensive padded cell to recover. It's certainly an equally consistent explanation for the sense of disorientation and malaise I suffer from in these places; besides which, malevolent aliens are easier to swallow than the idea that other people actually want to live that way.
    Elevators are an integral part of the alien abduction experience.

    I figure the polished fake-marble floor and mirror-tiled ceiling with indirect lighting conspire to generate a hypnotic sense of security in the abductees, so I pinch myself and force myself to stay alert. The lift is just beginning to accelerate upwards when my phone vibrates, so I glance at the screen, read the warning message, and drop to the floor.

    The lift rattles as it rises towards the sixth floor. My guts lighten: we're slowing! The entropy detector wired into my phone's aerial is lighting up the screen with a grisly red warning icon. Some really heavy shit is going on upstairs, and the closer we get to my floor the stronger it is. "Fuck fuck fuck," I mumble, punching up a basic countermeasure screen. I'm not carrying: this is supposed to be friendly territory, and whatever's lighting up the upper levels of the Ramada Treff Page Hotel is — I briefly flash back to another hotel in Amsterdam, a howling wind sucking into the void where a wall should be — Clunk. The door slides open and I realize at the same instant that I should have leapt for the lift control panel and the emergency stop button. "Shit," I add — the traditional last word — just as the flashing red dial on my phone screen whisks counterclockwise and turns green: green for safety, green for normal, green to show that the reality excursion has left the building.

    "Zum Teufel!"

    I glance up stupidly at a pair of feet encased in bulletproof-looking, brown leather hiking boots, then further up at the corduroy trousers and beige jacket of an elderly German tourist. "Trying to get a signal," I mutter, and scramble out of the lift on all fours, feeling extremely stupid.

    I tiptoe along the beige-carpeted corridor to my room, racking my brains for an explanation. This whole set-up stinks like a week-old haddock: What's going on? Ramona, whoever the hell she is — I'd put hard money on her being mixed in with it. And that entropy blip was big. But it's gone now. Someone gating in? I wonder. Or a proximal invocation?

    I pause in front of my door and hold my hand above the door handle for a few
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