Jean-dominique Bauby
the play I may write one day, based on my experiences here. I’ve also thought of calling it
The Eye
and, of course,
The Diving Bell.
You already know the plot and the setting. A hospital room in which Mr. L., a family man in the prime of life, is learning to live with locked-in syndrome brought on by a serious cerebrovascular accident. The play follows Mr. L.’s adventures in the medical world and his shifting relationships with his wife, his children, his friends, and his associates from the leading advertising agency he helped to found. Ambitious, somewhat cynical, heretofore a stranger to failure, Mr. L. takes his first steps into distress, sees all the certainties that buttressed him collapse, and discovers that his nearest and dearest are strangers. We could carry this slow transformation to the front seats of the balcony: a voice offstage would reproduce Mr. L.’s unspoken inner monologue as he faces each new situation. All that is left is to write the play. I have the final scene already: The stage is in darkness, except for a halo of light around the bed in center stage. Nighttime. Everyone is asleep. Suddenly Mr. L., inert since the curtain first rose, throws aside sheets and blankets, jumps from the bed, and walks around the eerily lit stage. Then it grows dark again, and you hear the voice offstage—Mr. L.’s inner voice—one last time:
    “Damn! It was only a dream!”

My Lucky Day
    This morning, with first light barely bathing Room 119, evil spirits descended on my world. For half an hour, the alarm on the machine that regulates my feeding tube has been beeping out into the void. I cannot imagine anything so inane or nerve-racking as this piercing
beep beep beep
pecking away at my brain. As a bonus, my sweat has unglued the tape that keeps my right eyelid closed, and the stuck-together lashes are tickling my pupil unbearably. And to crown it all, the end of my urinary catheter has become detached and I am drenched. Awaiting rescue, I hum an old song by Henri Salvador: “Don’t you fret, baby, it’ll be all right.” And here comes the nurse. Automatically, she turns on the TV. A commercial, with a personal computer spelling out the question: “Were you born lucky?”

Our Very Own Madonna
    When friends jokingly ask whether I have considered a pilgrimage to Lourdes, I tell them I’ve already made the trip. It was the end of the seventies. Joséphine and I were in a relationship that was a little too complicated to weather a traveling vacation together. It turned out to be one of those unstructured holidays that contain as many germs of potential discord as a day has minutes. We set out in the morning without knowing where we would sleep that night (and without knowing how we would reach our unknown destination). For two people to get along on such a trip requires a high degree of tactfulness. Joséphine was the kind of person who was prepared to do what it takes to get her own way. I tend to be like that too. For a whole week, her pale-blue convertible was the theater of an ongoing mobile domestic crisis. I had just finished a hiking trip in Ax-les-Thermes—an incongruous interval in a life devoted to everything except sport! The hike concluded at the Chambre d’Amour, a little beach on the Basque coast where Joséphine’s uncle had a villa. From there, we made a tempestuous and magnificent crossing of the Pyrenees, leaving behind us a long trail of remarks on the order of “First of all, I never said any such thing!”
    The prime bone of this quasi-marital contention was a fat book six or seven hundred pages long, with a black-and-white cover and an intriguing title.
Trail of the Snake
told the tale of Charles Sobraj, a kind of wayfaring guru who charmed and robbed Western travelers between Bombay and Kathmandu. The story of Sobraj, the half-French, half-Indian “snake” of the title, was true. Apart from that, I am quite unable to provide the slightest detail; it is even possible that my
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