balconies. Dirty water dripping on our heads. Enough to give a nonstop headache.”
From upstairs, too, come complaints. Once a week, the Shivalingam patriarch comes
to grumble that his grandchildren cannot study because Sylvia Sunethra’s daughter
is again playing her Western songs too loudly or that the smoke from Alice’s kitchen
is rising into his windows.
The two heads of state engage in battle.
“Please, lady, understand that this all-the-time singing of Elvis the Pelvis, as he
is known, is not suitable music for the ears of my various unmarried daughters and
small grandchildren. In our house, it is permitted for the females only to listen
to classical music and sometimes the music from Tamil films. Perhaps, it is advisable
that you, likewise, restrain your good daughter in her musical tastes.”
To which Sylvia Sunethra responds, “Yes, Mr. Shivalingam, having only just come to
Colombo from the outstation places, you are not yet familiar with modern music. But
in my part of the house, we embrace change and progress.”
“Yes, but perhaps you will be kind enough to keep this ‘progress’ limited to your
own part of the house.”
“Maybe that can happen if we downstairs are also no longer bothered by that army of
small ones running up and down the stairs.”
Ten minutes later they exchange polite farewells and retire to their respective empires,
muttering icy sedition under their breaths.
The greatest wars are fought over the mango tree. In season, fruit-laden fingers dip
straight onto Shivalingam balconies, ripe mangoes press wetly against Shivalingam
windows and splatter on their roof. When Sylvia Sunethra finds Shivalingam boys with
their fingers sticky, upturning yellow pulp into their open mouths, she turns apoplectic.
Visaka, attempting to soothe, “But Amma, what are they to do? The tree grows straight
onto their balcony.”
“Doesn’t matter! Stealing is stealing. This is our land. Anything that grows on it
belongs to us. They should keep their fingers off our things!” She calls to unmerciful
gods, “Bloody Tamils everywhere. What all have I done in another life to deserve this
invasion business?” and hires little boys to skim up the tree to collect red, yellow,
or even hard, pubescent, green mangoes, until the house reeks of them, first heady
and pungent, then overripe and rotting, and Visaka faced with one more mango curry
with mango chutney and mango sorbet must push fingers against her mouth and run for
the toilet.
Perhaps it is this preoccupation with the mango tree. Perhaps it is her daily struggle
to keep the family clothed and fed. Whatever the reason, at this time, Sylvia Sunethra’s
eagle eye is missing certain unforgivable breaches of propriety. Daily, Visaka on
her walk home from school is followed by various schoolboys on bicycles who disperse
when she reaches her gate. On the bus, there are always haggard, languorous-eyed young
men attempting to drop notes promising eternal devotion into her lap. So far, none
of these attentions has caused the slightest ripple in her slumbering biology. But
now, the youngest Shivalingam boy, a few years older than her, nineteen or so, she
guesses, loiters at the front gate at the exact time she arrives home. Most days she
is unable to lift her eyes to his, but when she does, he is looking at her so intently
that she must rush past, hurry into her room, throw herself on the bed, and wait until
her heart has stopped thudding.
Because, after all, how is it possible that she feels this recognition? As if she
knows him! So that despite his foreignness in so many ways, the oil shining in his
hair, the scents of unfamiliar foods on his clothes, he feels intimate in a way that
shocks her.
His name is Ravan. She learns this when his sisters call him for tea or his brothers
for cricket in the lane. She writes this name in minuscule letters in her exercise
books, then