hauled their torsos up to the traffic lights and arranged their collapsible legs beside them ready for another day in the sun scraping together the money for a meal.
I drove past the 24 Janvier building and Hotel Le Benin, turned right and arrived at the wrought iron gates of the white-pillared pile that Jack Obuasi rented for a million CFA a month. The gardien opened the gates for me and I cruised the botanical gardens up to the house. The drive cut through a manicured jungle of shrubs and bamboo before breaking through a line of palm trees where the lawns started. The two bowling green-sized expanses of grass were rolled and snipped, snipped and rolled, by a gang of gardeners who could have had a football tournament between them.
The house was whiter than a Christmas cake and had a central portico with four fluted pillars. It was the kind of portico that should have had a motto carved in it. Jack favoured La lutte continue. There was an east and a west wing on either side of the portico. Each wing had five bedrooms upstairs, all with bathrooms and all air-conditioned, with white shutters, which, if you had the energy to throw them open, would give you a view of the old wooden pier that strode out into the Gulf of Guinea. Underneath these bedrooms was enough space for living rooms, dining rooms, games rooms, jacuzzi rooms and cricket nets if you felt out of practice. There was also Jack's office, and in his office a desk that a family of four could have lived in without him noticing.
The walls of the office were bare, but, in the other rooms, were covered with African masks, animal skins and ancient weaponry. Man-sized carvings hung around the place like servants of long standing who couldn't be sacked. Some rooms were taken over by collections of African paintings which crammed the walls from floor to ceiling. The floors were entirely of white marble only broken by large rugs whose tassels were kept in line by Patience, Agnes and Grace, the three maids.
In the rooms he never used he had much better cane furniture than I did, which wasn't difficult. In the rooms he did use were tables and chairs of every hard wood the jungle had to offer, as well as armchairs and sofas from France and England that formed exclusive circles about the place like people at a cocktail party who wouldn't mix. The one failure was a table and six chairs carved from a single tree, but the table was too low and a man's bottom couldn't fit in between the snarling carved heads on the arms of the chairs even if it had wanted to.
There was a large verandah above the garage and maids' quarters at the end of the east wing and another at the back of the house overlooking the swimming pool. They were both surrounded by a nursery of potted plants. I parked the car behind Jack's Mercedes in the garage.
It was breakfast time. Patience, the most senior of Jack's maids, with the eyes of a murderess and the shoulders of a mud wrestler, came out of her quarters and pointed to the verandah above the garage. I locked the car. Patience adjusted her wrap and slouched off to the kitchen. Mohammed, a tall, rangy, immensely strong servant of Jack's who could polish a Mercedes down to the base metal came from the back of the house hunched over, holding a monkey by the hand. Jack had bought the monkey and found that Mohammed came with it. The monkey saw me and hid behind Mohammed's legs like a shy little girl.
'How are you, Mohammed?' I asked.
'Yessssir,' he said with the intensity of a truck's air brakes.
A parrot in a cage started running through its repertoire of clicks and whistles, calling for Patience and doing imitations of her cleaning the verandah: little sweeping sounds with the odd chair scraping thrown in. I walked up the spiral staircase to the verandah and heard the murmur of the video-taped soaps that were recorded for Jack and sent from England. He played them in the big gaps of
Elizabeth Amelia Barrington