you a whole lot of trouble to get free.
âShe . . . ah . . . well. She just walked off. Shocked, I guess, like everybody else.â
âDid she say anything before she walked off?â
Iâve lost somebody, too. Not a child. Somebody closer than that . What had she meant by that? Somebody closer than that . Who can be closer than your own child?
âShe . . . no.â
Detective Booker raised an eyebrow. âYouâre absolutely sure about that?â
âYes.â
That night he watched television until well past midnight and drank three-quarters of a bottle of Stolichnaya. For most of the time he quietly cried, his cheeks glistening in the light of The X-Files and Stargate SG-1 , letting out a thin agonized whine that hurt his chest.
He couldnât bear to watch the news again. The same footage was being repeated over and over â the smoke, the dust, the bloodied bodies in the schoolyard.
At last, exhausted, he switched off the television and made his way to the bedroom, walking like Captain Ahab on the tilting deck of the Pequod . He collided with the half-open door and it was only then that he realized how badly he had been bruised when he had been blown into that parked Toyota. He unbuttoned his shirt, pulled down his sleeve and frowned at it, although he was finding it hard to focus. His shoulder was a mass of crimson and purple.
âOh, God,â he said, closing his eyes. âPlease turn back the clock. Oh, God, please let it be yesterday.â
But when he negotiated his way along the corridor to Dannyâs room and switched on the light, he found that Dannyâs bed with its X-Men bedcover was neatly made and empty, and that Dannyâs Star Wars figures were still crowded on the shelf, as bereaved as he was. Nobody would ever play with them again.
He sat down on the end of Dannyâs bed. He didnât cry any more because he didnât have any tears left. He didnât want to think about this morning ever again. He wanted to forget that it had ever happened. But even with his eyes open, all he could see was an endless silent re-run of the bomb going off, and Danny sitting in the back of the car, and the expression on the face of the paramedic who had lifted Danny out of his arms.
A few minutes after two A.M . he knew for certain that when dawn came it wasnât going to be yesterday, and so he shuffled along to the bedroom and tried to open the door. It was locked.
âMargot,â he called. There was no reply. âMargot, could you open the door please.â Still no reply.
He raised his fist, ready to knock, but then he thought, no, Iâm too tired and Iâm too drunk and she blames me for Dannyâs death and I canât stand the thought of a screaming, furniture-breaking argument, not tonight. Think of Danny, lying in the morgue. Show some respect.
âMargot, I know you can hear me. Iâm showing some respect.â
He paused, and swayed, and held on to the door frame to catch his balance. âI just want you to know that whatever happens, whatever happens, I never wanted it to happen, not that way. Not Danny. I did . . . I made the wrong decision. I know I made the wrong decision. Nobody . . . nobody loved Danny more than I did. Nobody. And I made the wrong decision. I admit it.â
He pressed his ear to the door, holding his breath, listening, but he couldnât hear anything at all, not even sobbing. After a while he went back to the living room and sat down on one of the white leather couches. The living-room walls were painted pale magnolia but they were hung all around with Margotâs paintings â enormous paintings, six feet by seven feet some of them, Impressions In White I â VII . She had painted them all on untreated canvas, in white oil paint, and although they were textured with whorls and curls and cross-hatching, that was all they were: