feeling guilt. He wanted the âw,â the pats on the back, the victory lap at the prosecutorâs office, the press coverage.
âEveryone knew she was going down,â McCoy adds. âEveryone knew you had her.â
Ogren stretches, arches his back, extends his arms. Full trial mode, probably hasnât had much sleep. And now this. Like the whole prosecution was just a false start.
âSheâs not up there anymore,â McCoy says. âYou want to go see the body?â
Ogren looks over the house wistfully. He is suddenly a man without a place. This is not his crime scene.
âAs long as youâre sure sheâs dead,â he deadpans, an attempt at dark humor that falls flat.
She smiles at him. âYou want to see the statuette?â
Ogren does a double-take, suddenly perks up. âTheâwhat are you talking about?â
âThe statuette,â she says. âThe little trophy. The award from the manufacturersâ association. You always thought she used it to kill Sam Dilââ
Ogren steps toward her. âYou have it? It was here in her house?â
Jane McCoy gestures behind her. âShe had it in her office upstairs.â
âThatâs not possible.â The prosecutor squints. âShe moved it there, maybe.â
âExactly,â Jane agrees. âShe had buried it somewhere initially. You can tell because thereâs some dirt on it. But thereâs some blood on it, too, and weâre getting prints off it. I assume itâs the murder weapon. Weâve inventoried it. Weâll make it available to you guys.â
Roger Ogren is speechless. It is confirmation that he never had. A murder weapon that had never been found. McCoy wonders if there was any residual doubt in the prosecutorâs mind, any lingering question of whether he was accusing the right person. If so, the murder weapon, in the home of the accused, should erase that doubt.
âThis was her way of pleading guilty,â McCoy tells him. âBefore she went, she wanted the record clear, I guess.â
Ogren nods aimlessly, his eyes unfocused. âAnd what about the gun?â
âA revolver. Serial numbers scratched. She must have bought it on the street.â
Ogren stares at her. Weird , he must be thinking. âOkay. Iâll give you a call,â he says. âI think we would like that statuette, actually.â
âSure. Call me.â
He turns to leave but stops, looks back at the federal agent. âWhy did you say itâs your fault? Her killing herself?â
She makes a face. âI was squeezing her. Maybe too hard.â
Ogren gives her a look of compromise. Squeezing is something any prosecutor can understand. No one ever knows how much pressure is just right.
âYou got what you wanted, Roger. Justice was served.â
He laughs. A bitter chuckle. âThis wouldnât have happened if she werenât out on bail,â he says. âShe couldnât have gotten a gun and she couldnât have killed herself.â
McCoy lifts her shoulders. âHey, you wanted her dead, sheâs dead.â
The prosecutor glares at McCoy, then turns and walks to his car. He canât deny that he was seeking the death penalty, of course, which means he cannot deny that he wanted death for Allison Pagone. But he doesnât appreciate the bluntness of McCoyâs comment. As if Roger Ogren were a killer, too.
âIâll bet heâs pissed,â Harrick says, walking up, watching Ogren leave.
âSomething like that.â
They walk to their car and drive away. Once in the vehicle, Harrick, driving, casts a look at McCoy. âSomething bothering you? Talk to me, Janey.â
âIt looked too clean,â she says. âThereâs such a thing as looking too much like a suicide.â
âOh, come on.â Owen Harrick shrugs. He was a city cop for eight years. Heâs witnessed a lot more suicide
Heidi Hunter, Bad Boy Team