the doorway, looking at the back of Sarahâs head.
âIâm going to do some writing in the bedroom for a bit,â he says.
âOkay,â Sarah says, not taking her eyes off the TV.
On his way to the bedroom, Paul passes the BT wireless router. I should just turn it off, he thinks. I should just unplug it and ask Sarah to hide it somewhere.
He doesnât, though.
He carries on down the hall to the bedroom and climbs onto the bed. No slacking off tonight, he thinks as the laptop boots up. Once itâs running, Paul just sits looking at his desktop for a long time. He feels completely numb. He thinks about Alison Whistler. He thinks about Jonathan Franzen. He thinks about a person called Lauren Cross who was his first ever girlfriend and who is one of the two main characters in his latest novel (the other being himself).
No slacking off tonight, he thinks again.
He looks at the icon for Word.
He looks at the icon for Chrome, sitting just to the right of it, like Alison Whistler sitting just to the right of dowdy Rachel Steed in class.
He double clicks on Chrome and it opens on the Google homepage. Paul types âTwitterâ into Google. He clicks the link to Twitter. On the homepage, he begins filling in the sign-up form, wondering what shitty username heâsgoing to choose. Even just writing âPaul Saundersâ makes him feel a little depressed. If I had a better name, Paul thinks, a more interesting, unusual name, like âFranzenâ for instance, then all the other things in my life would probably be more interesting, too, as a consequence.
Paul fills in his email address and types in a password (Lauren500, the password he still , automatically, unthinkingly types for everything), and then, wearily, hits return.
On the next page, Twitter has suggested his username for him: paulsan62904936.
He selects and deletes paulsan62904936 and enters PaulSaunders.
This username is already taken! it says.
He tries âPaulSaundersNovelistâ but it only lets him type as far as PaulSaundersNove.
He types âIamadickheadâ.
This username is already taken! Twitter tells him.
A few hours later, Sarah comes into the bedroom. Itâs half-ten, which is her usual bedtime on a weeknight. She has to get up at six in the morning, to commute an hour and a half on public transport to an admin job in Liverpool. Paul wonders why she never complains, about anything, even though, for the last year or so, since Paulâs royalties dried up, sheâs been covering almost all of their rent and bills, never quite leaving enough money remaining to go out or buy anything other than âessentialsâ (toilet paper, rice, etc.). Sheâs had to cancel her Virgin Active membership and her subscription to Marie Claire . (âItâs fine,â she said. âIâll just read things on my phone.â)
This teaching job is a positive new development; it might only be a single-semester contract right now, but Paulâs hoping it will lead to other similar work, because itâs not like heâs about to finish his novel anytime soon, despite what heâs been telling everyone.
âWhatâs the matter?â Sarah says.
âNothingâs the matter,â Paul says, quickly closing Chrome.
âYou just looked all . . . shifty.â
âShifty how?â
âJust shifty ,â she grins. âLike you were doing something you shouldnât be doing. Were you writing another sex scene?â
He knows sheâs just trying to joke around with him, but he canât join in.
âNo,â he says, slamming the lid of his laptop. âI mean, I was writing but it was just . . . you know, writing . Nothing sexy, Iâm afraid.â
Paul and Sarah have not had sex in almost four months. At moments like this, it dangles between them like a cobweb. Sarah takes off her shirt and reaches behind her back to unclasp her bra and the no-sex