If I Stay
everywhere. It does not faze the doctors one bit. They slice and sew and suction through a river of it, like they are washing dishes in soapy water. Meanwhile, they pump an ever-replenishing stock into my veins.
    The surgeon who wanted to listen to rock sweats a lot. One of the nurses has to periodically dab him with gauze that she holds in tongs. At one point, he sweats through his mask and has to replace it.
    The anesthesiologist has gentle fingers. She sits at my head, keeping an eye on all my vitals, adjusting the amounts of the fluids and gases and drugs they’re giving me. She must be doing a good job because I don’t appear to feel anything, even though they are yanking at my body. It’s rough and messy work, nothing like that game Operation we used to play as kids where you had to be careful not touch the sides as you removed a bone, or the buzzer would go off.
    The anesthesiologist absentmindedly strokes my temples through her latex gloves. This is what Mom used to do when I came down with the flu or got one of those headaches that hurt so bad I used to imagine cutting open a vein in my temple just to relieve the pressure.
    The Wagner CD has repeated twice now. The doctors decide it’s time for a new genre. Jazz wins. People always assume that because I am into classical music, I’m a jazz aficionado. I’m not. Dad is. He loves it, especially the wild, latter-day Coltrane stuff. He says that jazz is punk for old people. I guess that explains it, because I don’t like punk, either.
    The operation goes on and on. I’m exhausted by it. I don’t know how the doctors have the stamina to keep up. They’re standing still, but it seems harder than running a marathon.
    I start to zone out. And then I start to wonder about this state I’m in. If I’m not dead—and the heart monitor is bleeping along, so I assume I’m not—but I’m not in my body, either, can I go anywhere? Am I a ghost? Could I transport myself to a beach in Hawaii? Can I pop over to Carnegie Hall in New York City? Can I go to Teddy?
    Just for the sake of experiment, I wiggle my nose like Samantha on Bewitched . Nothing happens. I snap my fingers. Click my heels. I’m still here.
    I decide to try a simpler maneuver. I walk into the wall, imagining that I’ll float through it and come out the other side. Except that what happens when I walk into the wall is that I hit a wall.
    A nurse bustles in with a bag of blood, and before the door shuts behind her, I slip through it. Now I’m in the hospital corridor. There are lots of doctors and nurses in blue and green scrubs hustling around. A woman on a gurney, her hair in a gauzy blue shower cap, an IV in her arm, calls out, “William, William.” I walk a little farther. There are rows of operating rooms, all full of sleeping people. If the patients inside these rooms are like me, why then can’t I see the people outside the people? Is everyone else loitering about like I seem to be? I’d really like to meet someone in my condition. I have some questions, like, what is this state I’m in exactly and how do I get out of it? How do I get back to my body? Do I have to wait for the doctors to wake me up? But there’s no one else like me around. Maybe the rest of them figured out how to get to Hawaii.
    I follow a nurse through a set of automatic double doors. I’m in a small waiting room now. My grandparents are here.
    Gran is chattering away to Gramps, or maybe just to the air. It’s her way of not letting emotion get the best of her. I’ve seen her do it before, when Gramps had a heart attack. She is wearing her Wellies and her gardening smock, which is smudged with mud. She must have been working in her greenhouse when she heard about us. Gran’s hair is short and curly and gray; she’s been wearing it in a permanent wave, Dad says, since the 1970s. “It’s easy,” Gran says. “No muss, no fuss.” This is so typical of her. No nonsense. She’s so quintessentially practical that most
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