about the woman. Iâd never want to go near her if for some fool reason the yokels didnât part with their cash so readily for a peek at that bleached pan of hers!â
âWell, now, I couldnât quote that in the paper.â
âI donât care what you quote. I donât care what you do as long as you get out of here and go to theââ
âThe publicity departmentâfirst,â said Morrison Pickens, rising.
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In the publicity department, four different hands slapped Morrison Pickensâ shoulder, and four faces looked at him, sweetly bland, as if they had never heard the name of Kay Gonda before, and it took an effort to remember it, and remembering it, they found they knew nothing but the name. Only one face, the fifth, bent closer to Morrison Pickens and whispered:
âWe donât know a thing, pal. Not allowed to know. And wouldnât know if allowed. Thereâs only one person who might help you. Might, but probably wonât. Go see Mick Watts. Iâm sure the bum knows something.â
âWhy? Is he sober, for a change?â
âNo. Heâs drunker than usual.â
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Mick Watts was Kay Gondaâs personal press agent. He had been fired from every studio in Hollywood, from every newspaper on both coasts, and from many others in between. But Kay Gonda had brought him to the Farrow lot. They paid him a large salary and did not object to him as they did not object to Kay Gondaâs Great Dane on Anthony Farrowâs Josephine chaise longue.
Mick Watts had platinum blond hair, the face of a thug, and the blue eyes of a baby. He sat in his office, his head buried in his arms on the desk. He raised his head when Morrison Pickens entered, and his blue eyes were crystal clearâbut Pickens knew that they saw nothing, for two empty bottles lay conspicuously under his chair.
âNice weather weâre having, Mick,â said Morrison Pickens.
Mick Watts nodded and said nothing.
âNice, but hot,â said Morrison Pickens. âAwful hot. Supposing you and me slip down to the commissary for something cool and liquid?â
âI donât know a thing,â said Mick Watts. âSave your cash. Get out.â
âWhat are you talking about, Mick?â
âIâm not talking about nothingâand that goes for everything.â
In the typewriter on the desk, Morrison Pickens saw the sheet of a press release which Mick Watts had been composing. He read, incredulously:
âKay Gonda does not cook her own meals or knit her own underwear. She does not play golf, adopt babies, or endow hospitals for homeless horses. She is not kind to her dear old motherâshe
has
no dear old mother. She is not just like you and me. She never was like you and me. Sheâs like nothing you rotters ever dreamt of.â
Morrison Pickens shook his head reproachfully. Mick Watts did not seem to mind his reading it. Mick Watts sat there, looking at the wall, as if he had forgotten Pickensâ existence.
âYou could stand a drink, once in a while, couldnât you, Mick?â said Morrison Pickens. âYou look thirsty to me.â
âI donât know a thing about Kay Gonda,â said Mick Watts. âNever heard of her. . . . Kay Gonda. Itâs a funny name, isnât it? What is it? I went to confession once, long agoâvery long agoâand they talked about the redemption of all sins. Itâs a funny thing to yell âKay Gondaâ and to think that all your sins are washed away. Just pay two bits in the balconyâand come out pure as snow.â
âOn second thought, Mick,â said Morrison Pickens, âI wonât offer you another drink. Youâd better have something to eat.â
âIâm not hungry. I stopped being hungry many years ago. But she is.â
âWho?â asked Morrison Pickens.
âKay