He was either deep in reflection or had suffered a small stroke. To occupy myself, I removed a monogrammed Mark Cross fountain pen from my pocket and examined its sleek design. The old-school pen was an affectation I allowed myself because no client who employed a firm like ours wanted to sign anything as serious as a will with a ballpoint. Ed still hadnât moved when the waiter cleared the appetizers and set our entrées down.
âHow long have you been with the firm?â
âFive years.â
Five years was the point where lawyers at Thatcher were given an early indication of whether they would be made partners. Most were informed they should quietly begin looking for a new situation. Youâre welcome to use your office, phone, and stationery, they were told, but your future is not at This Firm. Was that the purpose of the lunch? I had a sense that Ed liked me on a personal level and was struck with the realization that this was his way of imparting the bad news gently, as if sea bass in a Béarnaise sauce was going to compensate for professional disaster.
Clearing his throat, Ed mentioned Dirk Trevelyan, an older client who had minted gold on Wall Street. Was he going to suggest Trevelyan might have something for me when I left my current job? Why had he asked me how long Iâd been at the firm? It was a question to which he already knew the answer.
âHis current wife is a talented artist apparently.
Quite
a talented artist.â It was difficult to discern why Ed repeated the phrase, repetition not being a rhetorical device he favored. âYouâve done the drafting and the amendments for Trevelyanâs will so you know that his art collection is positively extraordinary, the Utrillo, the Brancusi, and that little Kandinsky heâs got.â
I told him that we had arranged for a professional photographer to take pictures of each piece for the purpose of cataloguing the estate. It was important that he know just how on top of my game I was.
âWell, the second Mrs. Trevelyan found it all very inspirational. Trevelyan keeps her on a short leash financially and the lady has expensive tastes that apparently led her to borrow money from some unsavory characters. She was in for over seven figures when she decided to pay them off with Dirkâs Kandinsky.â
Ed sliced a piece of tuna, put it in his mouth, and chewed mechanically. It was as if the story had made his appetite vanish. Seeing him eating reminded me there was food on my plate and I took a bite of the sea bass.
âShe gave it to them?â
âAnd the old man has no idea. Because . . . youâre not going to believe this . . . she painted a copy and thatâs whatâs on the bedroom wall.â
The enormity of the betrayal sat there, neither of us saying anything. Ed took another bite of his tuna, then absently picked up my Mark Cross pen and tapped the table a couple of times before wrapping both of his hands around it and squeezing.
âHow did you find out?â
âMrs. Trevelyan came to see me. Jeremy, this is sticky. Do you know what that little Kandinsky is worth?â
âI think we had it valued around five million.â
âIn all my experience, imagine . . .â He shook his head, whether with respect for Mrs. Trevelyanâs skills or consternation at her husbandâs position, it was hard to tell.
âWhere is she now?â
âMrs. Trevelyan flew to Bora Bora this morning. She didnât want to be around for the fireworks.â
âWhat are you going to tell him?â
The waiter stopped by to refill our water glasses and ask how we liked the food. Ed told him everything was perfect and turned his attention back to me.
âBy the way, the partnership committee is meeting later this summer. Youâre aware we donât consider associates for partnerships until theyâre in their seventh year at the firm, but because of the job