decide.
Love,
Chris
Crestline, California
December 10, 1994
Dear Dick,
Weâve decided to publish this correspondence and were wondering if youâd like to write an introduction? It could read something like this:
âI found this manuscript in the drawer of an old kitchen cabinet that I picked up at the Antelope Valley Swapmeet. It makes strange reading. Obviously, these people are very sick. I donât think thereâs much film potential in it because none of the characters are likeable.
âStill, I believe these letters will interest the reader as a cultural document. Obviously they manifest the alienation of the postmodern intellectual in its most diseased form. I really feel sorry for such parasitic growth, that feeds upon itselfâ¦â
What do you think?
Love,
Sylvère
PS: Could you Express Mail us a copy of your latest book, The Ministry of Fear ? We feel that if weâre going to write for you we should get more familiar with your style.
Love,
Chris
Crestline, California
December 10, 1994
Dear Dick,
Chris and I have spent the whole morning lying around with our computer thinking about you. Do you think this whole affair was just a means for Chris and me to finally have sex? We tried this morning but I think weâve gone too far into our morbid imaginations. Chris continues to take you seriously. She thinks Iâm sick, now sheâll never touch me again. I donât know what to do. Please helpâ
Love,
Sylvère
PS: Thinking about it further, these letters seem to open up a new genre, something in between cultural criticism and fiction. You told us how you hope to revamp the writing program at your institution along these lines. Would you like me to read from it in my Critical Studies Seminar when I visit next March? It seems to be a step towards the kind of confrontational performing art that youâre encouraging.
Regards,
Sylvère
By now it was 2 oâclock in the afternoon. Sylvère was triumphant, Chris was desperate. All sheâd really wanted, for the past seven days was a chance to kiss and fuck Dick ââ , and now all hope was receding, their meeting grew more distant every day, leaving everfewer pretexts for her to call. Clearly the letters were unsendable. And Sylvère was so excited by their writing, and aroused by it, and he knew that if there wasnât another event soon, another point of contact to fuel Chrisâ expectations, all this would end. For all these reasons, the pair decided they would write a fax.
FAX TO: DICK ââ
FROM: CHRIS KRAUS & SYLVÃRE LOTRINGER
DATE: DECEMBER 10, 1994
Dear Dick,
Itâs a pity that we missed each other Sunday morning. Itâs funny, both of us thought a lot about your videoâso much that weâve had an idea for a collaborative piece, inspired by and hopefully involving you. Itâs kind of like, Calle Art. Weâve written about 50 pages over the last few days and were hoping we could shoot something with you out in Antelope Valley soon before we leave (Dec. 14).
Basically our idea was to paste the text weâve written all over your car, house and cactus garden. We (i.e., Sylvère) would videotape me (i.e., Chris) doing thisâprobably a wideshot of all the papers flapping in the breeze. Then, if you like, you could enter and discover it.
I guess the piece is all about obsession, although we wouldnât think of using images that belong to you without your agreeing to it. What do you think? Are you game?
Best regards,
Chris & Sylvère
But of course the fax was never sent. Instead, Sylvère left one more message on Dickâs answering machine:
âHi Dick, itâs Sylvère. Iâd like to talk to you about an idea I had, a collaborative piece we could do before I leave on Wednesday. I hope you wonât find it too crazy. Call me back.â
Expecting no more response from Dick than theyâd had all week, Chris left to do
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