Placing the bronze jar of hashish on the tray, my friend bade me lay my pipe beside it, and suck up the fluid in the silver cup through the long tube. I did so, and found it delicious.
‘That,’ he said, ‘is tea made from the genuine coca leaf. The cup is the real mate and the tube a real bombilla from Peru. Now let us smoke. The dried shrub here is known as gunjeh , and is the dried tops of the hemp plant. Take a little tobacco from that jar and mix with it, else it will be found difficult to keep it alight. These lozenges here are made from the finest Nepal resin of the hemp, mixed with butter, sugar, honey, flour, pounded datura seeds, some opium and a little henbane, or hyoscyamus. I prefer taking these to smoking, but, to keep you company, I will also smoke tonight. Have no fear. Smoke four or five pipefuls of the gunjeh , and enjoy the effect. I will see that no harm befalls you.’
Swallowing two of the lozenges, my guide filled our pipes, and we proceeded to smoke and watch the others. These pipes, the stems of which were about eighteen inches in length, were incrusted with designs in varicolored beads, strung on gold wire over a ground of some light spirally twisted tinsel, marked off into diamond-shaped spaces by thin red lines. From the stem two green and yellow silken tassels depended. A small bell-shaped piece of clouded amber formed the mouthpiece, while at the other end was a small bowl of red clay scarcely larger than a thimble. As I smoked I noticed that about two-thirds of the divans were occupied by persons of both sexes, some of them masked, who were dressed in the same manner as ourselves. Some were smoking, some reclining listlessly upon the pillows, following the tangled thread of a hashish reverie or dream. A middle-aged woman sat bolt upright, gesticulating and laughing quietly to herself; another, with lackluster eyes and dropped jaw, was swaying her head monotonously from side to side. A young man of about eighteen was on his knees, praying inaudibly; and another man, masked, paced rapidly and noiselessly up and down the room, until led away somewhere by the turbaned servant.
As I smoked, the secret of that heavy, sickening odor was made clear to me. It was the smell of burning hashish. Strangely enough, it did not seem to be unpleasant any longer, for, although it rather rasped my throat at first, I drew large volumes of it into my lungs. Lost in lazy reverie and comfort, I tried to discover whence came the soft, undulating strains of music that had greeted me on entering, and which still continued. They were just perceptible above the silvery notes of a crystal fountain in the centre of the room, the falling spray from which plashed and tinkled musically as it fell from serpents’ mouths into a series of the very thinnest huge pink shells held aloft by timid hares. The music seemed to creep up through the heavy carpet, to ooze from the walls, to flurry, like snowflakes, from the ceiling, rising and falling in measured cadences unlike any music I had ever heard. It seemed to steal, now softly, now merrily, on tiptoe into the room to see whether we were awake or asleep, to brush away a tear, if tear there was, or gambol airily and merrily, if such was our humor, and then as softly, sometimes sadly, to steal out again and lose itself in the distance. It was just such music as a boatful of fairies sailing about in the clear water of the fountain might have made, or that with which an angel mother and would sing its angel babe to sleep. It seemed to enter every fiber of the body, and satisfy a music-hunger that had never before been satisfied. I silently filled my second pipe, and was about to lapse again into a reverie that had become delightfully full of perfect rest and comfort, when my companion, leaning toward me, said:
‘I see that you are fast approaching Hashishdom. Is there not a sense of perfect rest and strange, quiet happiness produced by it?’
‘There certainly is. I feel