itâs true, Henry. Youâre a real good man, and Iâll do anything you say, now or any time.â
âWell,â he said, soberly content, âI donât know as itâs regâlar, but I guess itâll do. But Lucy, youâve just wrote, âThis dayâ and then âMondayâ and your name under. You want to put âApril 26, 1790.ââ
She took the pen again. âThe âMondayâ donât hardly show, anyway, except the âdayâ part, after Iâd dipped in the ink again.â She wrote the date above, and he was satisfied; and called the others to sign, and while they did so he moved to stand beside her. Lucy caught his hand in hers. She pressed his hand to her cheek, and peace flowed into her.
When she was alone Lucy wrote a letter, to be sent somehow, some day, to Tony Currain, far away. She began defiantly, telling him she would wed; but when she had written: âI have to wait a year to marry Mr. Sparrow,â she paused in thought a while. Suppose before the year was gone Tonyâs wife died? Suppose he came at last to marry her away? Her eyes shadowed, deep and wistful.
But then she shook her head. Let him come if he chose; it was too late. She was Henry Sparrowâs now. She finished the letter; and when a chance offered she dispatched it by the hand of Jim Bohannon, who was returning to Virginia.
That was the end of Tony Currain. She would never think of him again.
But she did. She thought of him after her fatherâs death. Joseph Hanks died still unrelenting; her name was not so much as mentioned in his will. She thought of him again when her little Nancy, who was Tonyâs daughter, married Tom Lincoln, and again when Nancyâs first was born. Sarah was the first. The second was a son. Tom Lincoln and Nancy named it after Tomâs father.
Lucy wrote to tell Tony Currain about that. She had long since forgiven the past, forgiven him; and now that Tony had, way out here in Kentucky, a grandson named Abraham Lincoln, it was a thing he might be glad to know.
I
Overture 1859 -1862
1
June, 1859
Â
M RS. ALBION was still awake when the door bell rang; but Tessie always slept soundly, so Mrs. Albion rose and went into the upper hall and called: âTessie! Tessie!â
âYes, maâam, Iâse a-cominâ!â
Mrs. Albion, herself in darkness, saw presently below her the candleâs gleam. The door bell clanged again, with an angry impatience. That must be Tony. No one else would come at this hour. Tessie, in a bright-flowered wrapper that was snug to the splitting point, appeared in the lower hall. Her tight black pigtails stiff with indignation at this midnight rousing, her candle sputtering angrily, she trudged slap-footed to the door and with her hand on the bolt challenged this midnight caller.
âWho dere?â
âMr. Currain, you black slut! Open up!â
The servantâs tone changed to appeasement. âYassuh! Yassuh!â Looking up over her shoulder while she turned the key, she muttered a low warning. âHitâs Mistuh Currain, maâam.â
Her mistress at the stair head nodded resentful assent. âLight the gas.â Then as Tessie opened the door: âTony, what in the world?â
Tessie hooded the flickering candle against the night air, closed the door behind him, held the candle flame to the gas jet.
âToo late, Nell?â His tone was a challenge.
âOh no,â she said wearily, âIâll make myself presentable. Tell Tessieâanything you want.â
She turned toward her room, wondering why he had come, puzzled and uneasy. In the hall below she heard him give his orders. âTessie,
bring a bottle of the old Madeira. And carry it as if it were a sick baby! If you cloud it, Iâll cut you into strips and fry the strips.â
âYassuh! Yassuh! Must be a big eveninâ, you going to open one oâ dem last two