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escape; the car she’d hired that had stalled just after she’d turned onto the sea road; the many futile attempts she’d made to start it again.
    A shiver crept down her spine. But that still didn’t explain how she came to be here, lying in a strange bed, fully clothed except for her jacket and shoes. What had happened? She put a confused hand to her head. She had to remember.
    There’d been a house, she thought, her head throbbing with the effort to recall the morning’s events. She’d been so relieved to find it on this lonely stretch of the coast. She’d hoped that whoever owned the house might let her use their phone to call a garage. She’d doubted she’d find a phone box this far from the village.
    But the house had appeared to be empty. She remembered hearing dogs barking, and she’d been on her way back to the road when one of those big Range Rovers had pulled into the yard. Even then she’d hoped that it might be a woman driving the vehicle. At that time of the morning mothers were often employed on the school run. But the man who’d swung open the door and pushed jean-clad legs out of the car had been anything but feminine.
    Matt Seton.
    She swallowed, wondering if Max would have heard of him. Probably, she decided. Max had always prided himself on being familiar with every facet of the arts, and although she’d never read any of his books Seton had projected such an image of power and self-confidence that she was sure that anything he produced would be a success.
    But Max was dead, she reminded herself once more, feeling a sense of panic creeping over her. In any case, she wasn’t supposed to be thinking about Max right now. She was trying to work out how she came to be in Matt Seton’s bedroom.
    Well, maybe not his bedroom, she conceded, determinedly concentrating on the room instead of letting her thoughts numb her mind to the exclusion of anything else. She had the feeling that Matt Seton’s bedroom would look nothing like this. This room was too light, too feminine. His daughter’s, perhaps? He’d said he had a daughter. Did she really want to know?
    Still, he had been kind to her, she acknowledged. Initially, anyway. Despite the fact that when he’d emerged from the Range Rover her primary instinct had been to run. She hadn’t wanted to speak to him, hadn’t wanted to put her trust—however fleetingly—into another man’s hands. But common sense had won out over panic and she’d been quite proud of the way she’d handled herself then.
    Until the idea of asking him for a job had occurred to her. That had been a crazy notion. She realised it now, had realised it as soon as he’d started asking questions she couldn’t—or wouldn’t—answer. But the thought of staying here, of blending into the landscape so that no one would find her until she wanted them to, had seemed, momentarily at least, the perfect solution.
    A dog barked again. Closer at hand this time. She guessed it must be just beneath the window and she heard a man bidding it to be quiet. The man’s voice was familiar, strong and attractive, and she had no difficulty in identifying it as belonging to her unwilling host.
    Which brought the realisation that Matt Seton must have carried her upstairs and put her to bed. He must have removed her shoes and jacket and covered her with the quilted spread. Why? Had she fainted? Had she fallen and hit her head? No, that simply wouldn’t happen. Not today. Not after…
    Her bag? Alarm gripped her again. Where was her bag? Her haversack? She’d had it with her when she’d been feeling so dizzy downstairs, but she couldn’t see it now. What was in it? What could Matt Seton have found if he’d looked through it? Anything incriminating? Oh, she hated that word. But was there anything to prove that her name wasn’t really Sara Victor?
    Throwing the coverlet