sheâs not snoring or wearing her tie-dyed nightgown with glow-in-the-dark peace signs.
Dr. Wing moves close to Gram. âRosa, has there been any change in Mrs. Nuthatchâs status?â
Rosa shakes her head. âNo, Doctor.â
He takes Gramâs hand. âGood morning, Mrs. Nuthatch. If you can hear me, squeeze my hand.â
Gram doesnât move.
âMrs. Nuthatch, can you blink your eyes?â
I watch Gramâs eyes. Nothing.
Dr. Wing slides a chair close to Gramâs bed. âRiver,â he says, âplease sit. Hold your grandmotherâs hand and talk to her. Iâm not sure if she can hear, but itâs worth a try.â
As I tell Gram Iâm sorry for being mean to her, Dr. Wing pulls Dad to the other side of the room. I hear their conversation.
Dr. Wing clears his throat. âThe swelling caused considerable brain damage. Without life support, thereâs basically no chance sheâll survive. But if she does, sheâll never walk, talk, or have a meaningful life.â He clears his throat again. âWe could keep her on life support for months, but thereâs no point. You should make funeral arrangements. If thereâs no change by Friday morning, Iâll turn off the machines.â
I tell myself not to worry. I know sheâll wake up.
8
But I Know Different
D ad pulls out of the hospitalâs parking lot. âTell you what,â he says, âletâs get your mind off things and head into town. I have something to show you.â
He drives down Main Street, pulls to the side of the road, and then parks in front of a small house. The sign out front says: For Rent. It looks like a small cottage youâd find hidden deep within the woods. Itâs white with forest green shutters, and below each window is a flower box filled with red geraniums.
Dad turns off his car. âWait âtil you see inside.â He jumps out and heads for the front walkway.
I hurry to catch up. âWhatâs going on?â
He pulls the rent sign from the ground. âWe wonât need this anymore.â He places a key in my hand. âTake a look.â
The door swings open to a place that feels magicalâlike itâs from a different time. Everythingâs old and dusty but cozy in a different kind of way. To the left thereâs a small living room with a big stone fireplace. It has a straw broom leaning against it, and thereâs an oil lamp on the mantle with a box of matches. To the right of the entryway is a tiny bedroom with one bed and a small wooden desk with a metal lamp.
I walk forward down the hall to a small kitchen. The cupboards are filled with dishes, cups, pots and pans, and silverware that look so old that theyâre probably antiques. I run my hand across the table. âAre we living here âtil Gram gets better?â
Dad laughs. âNo, but you can come here as often as you want. A photographer needs a good assistant.â
âWhat are you talking about?â
Dad smiles. âIâm moving to Birdsong.â
âSo⦠this is our new home?â
âNo, this will be my studio. Iâm starting a photography business.â
âThen where are you going to live?â
Dad explains, âI planned on staying with Henry and Elizabeth while I had a house built, but since your grandmotherâs in the hospital, Iâll put that on hold and stay with you at your grandmotherâs until she recovers. How does that sound?â
âSeems like a good idea. That way you can sleep in Gramâs bed and wonât need to sleep on the Whippoorwillsâ couch.â
âThen itâs a plan. Now getting back to the studio,â he says, âtake a look at that lighting in the living room. Itâs full of natural light, perfect for pictures. The bedroom will be my office, and the kitchenâs exactly what we need for a quick meal when weâre here.â He pulls