wedged together toward the rear of the shop. The springs which here and there protruded from rents in the upholstery and which carried on them tufts of horsehair and cotton wadding had, in their day, quite possibly been crowning examples of their type. And the Oriental carpets scattered about might have been worthy of a temple floor fifty or sixty years earlier.
Great pots of tobacco stood atop groaning shelves, now and then separated by a row of books, all tilted and stacked and quite apparently having nothing at all to do with tobacco, but being, it seemed to St. Ives, their own excuse - a very satisfactory thing. Everything worth anything, he told himself, was its own excuse. Three or four lids were askew on the tobacco canisters, which leaked an almost steamy perfume into the still air of the room.
William Keeble hunched over one, dangling his long fingers in at the mouth of the jar and pulling out a tangle of tobacco that glowed golden and black in the gaslight. He wiggled it into the bowl of his pipe, then peered in at it as if in wonder, working it over from as many angles as possible before setting it aflame. There was much in the gesturing to attract a man of science, and for a moment the poet within St. Ives grappled with the physicist, both of them clamoring for the floor.
St. Ives’ study at Heidelberg under Helmholtz had brought him into contact for the first time with an opthalmoscope, and he could remember having peered through the wonderful instrument into the eye of an artistic fellow student, a man given to long walks in the forest and to gazing at idyllic landscapes. Just as the operation began, the man had seen through an unshuttered window the drooping branches of a flowering pear, and a little tidepool of gadgetry that ornamented the interior of his eye, suddenly enlivened at the sight, danced like leaves in a brief wind. For a frozen moment after St. Ives removed the instrument and before a blink sliced the picture neatly off, the pear blossoms and a sketch of cloud drift beyond were reflected in the lens of the man’s eye. The conclusions St. Ives had drawn tended, he had to admit, toward the poetic, and were faintly at odds with the methods of scientific empiricism. But it was that suggestion of beauty and mystery which attracted him so overwhelmingly to the study of pure science and which - who could say? - compelled him to wander down the crooked avenues that might at last lead him to the stars.
The Captain’s tobacco canisters - no two of them alike, and gathered from distant parts of the globe - reminded him, open as they were, of a candy shop. The feeling was altogether appropriate and accurate. His own pipe had gone dead. Here was the opportunity of having a go at some new mixture. He rose and peeked into a Delft jar containing “Old Bohemia.”
“You won’t be disappointed in that,” came a voice from the door, and St. Ives looked up to see Theophilus Godall pulling off a greatcoat on the threshold. The street door slammed behind him, jerked shut by the wind. St. Ives nodded and tilted his head at the tobacco canister as if inviting Godall’s commentary. There was something about the man, St. Ives decided, that gave him an air of worldliness and undefined expertise - something in the shape of his aquiline nose or in the forthrightness of his carriage.
“That was originally mixed by a queen of the royal house of Bohemia, who smoked a pipe at precisely midnight each evening, then drank off a draught of brandy and hot water in a swallow and retired. It has medicinal qualities that can’t be disputed.” St. Ives could see no way out of smoking a bowl. He began to regret his inability to do justice to the rest of the queen’s example, then saw, out of the corner of his eye, Captain Powers emerge from the rear of his shop carrying a tray and bottles. Godall smiled cheerfully and shrugged.
Behind the Captain, cap in hand, plodded Bill Kraken, his hair a wonder of wind-whipped