Tags:
Fiction,
Suspense,
Psychological,
Psychological fiction,
Suspense fiction,
California,
Contemporary Women,
Actresses,
Los Angeles,
Hollywood (Los Angeles; Calif.),
Hotels,
Hotels - Califoirnia - Los Angeles
sayâ though she could ham it up pretty good at the piano. I was shy at the bone. If you scratched Dottie, you scratched dirt, where corn or soy or wheat comes from: solid earth, simple and clean and probably conservative in ways I might not tolerate if Dottie wasn't a chanteuse. Scratch my surface and you get blood, guts, darkness, and dumb hope.
    She sang Noël Coward ballads and old show tunes with flare but not a whole lot of depthâ the material didn't encourage it. She worked sporadically. A well- off husband died, leaving her comfortably placed. About Joe she said, sensibly, "Ard, honey, the boy who'll follow a girl around the world hasn't been invented yet. They'll calve before that happens. You had no choice. Or yes, you did: It was you for yourself or him." Why'd I have to choose at all? Joe hadn't given me an ultimatum, and I hadn't given him one. I was wracked with doubt. Should I have moved out west, put my career ahead of Joe? Was Dottie right: Woman follows man? Was I doomed to die alone?
    I hit bottom, started turning down jobs, refusing phone calls. Harry was ready to work me over with a whip. He called to tell me Andre Lucerne was looking to direct another feature; he wouldn't cast me in the lead this time but was offering a strong supporting role that was mine for the taking. I said no, thanks.
    "You're turning down Andre Lucerne?" Harry said. "Help me here, Ardennes."
    "I'm not turning down Lucerne. I'm turning down the location. Stockholm in winter, Harry? It's too far away. I'm just not ready." Harry snorted his disbelief. "Okay, I don't like the part either."
    "You're wrong; that part is a perfect vehicle for you. And Stockholm is glorious in winter. Lucerne himself called." This time I snorted a so- what. " Never mind." Harry said all calm business. "I'm giving you one month to finish suffering and then I'm dropping you."
    "Harry . . ."
    Dottie said what did I expect; Harry wasn't my uncle. She didn't let on how worried she was about me hanging around the house all day with a bad case of the guilty blues. She'd take me shopping or come over and make us cocktails, sing ditties until I'd smile, which was about all I could manage, and that was mostly polite. "Dear girl, that sea is loaded with fish, you just have to dive in and pull. And for heaven's sake climb out of those tired old pj's and get outside. Go back to work!"
    I wasn't sure if Harry was bluffing or if he'd really drop me. I also genuinely did not know if I'd ever stand in front of a camera again. I wanted so badly to call Joe, tell him that I'd made a terrible mistake, that I wanted to come home; I'd go back to stage acting and our life together, forget all about Hollywood. But he didn't call either and I think that was what hurt the most, that he could just do without me. He'd had a lot of practice, Dottie pointed out, all those absences, me out here working among the fleshpots of Southern California. But Joe didn't doubt me in that way; he was the surest guy I ever met. In the end I think he just didn't want to be married to a movie actress.
    Dottie said it was not what she had in mind when I started going around with a friend of hers, a steadily employed character actor in big movies. We met at one of Dottie's rare singing dates. For a couple of weeks she was the closing act at a club that specialized in after- hours drinkers, well- off layabouts, a crowd that ate up her songs, was never loaded to the point of clamor, and by closing time would be singing along, adoring Dottie and their carefree lives.
    Like me, Fits (that's all anyone ever called him except in movie credits, where "Matthew Fitzgerald" scrolled across the screen) didn't fit the cabaret scene. He didn't know the lyrics to Dottie's numbers and flat- out hated show tunes. We were there for her, and maybe the