Heron's Cove Read Online Free PDF Page B

still many orange and yellow leaves, but the reds are all on the ground. But I’m not here as tourist.” She spied the easel and frowned at Emma’s attempt at a watercolor wash. “Such a pretty blue, but watercolor is not so easy, yes?”
    Emma groaned. “Watercolor isn’t easy at all.”
    “A painter and an FBI agent. I suppose that’s not such a surprise since you’re a Sharpe.” Tatiana lifted the brush out of the jar and blotted it on a sheet of paper on the small chest of drawers that held Emma’s painting supplies. “My English is better when I concentrate, have you noticed?”
    “Your English is fine. When did you arrive in Heron’s Cove?”
    “This afternoon. I have a cottage just on the other side of the yacht club. I have it for a week but the owner said I can stay longer if I wish. It’s very small. Adorable. It’s one room on legs—stilts. We’re neighbors.”
    “Why Heron’s Cove?” Emma asked.
    Tatiana laid the rinsed brush on the dresser, so that its natural bristles hung over the edge. “You shouldn’t leave your brushes in water. They will last longer.” She picked up the tube of cerulean-blue watercolor paint and screwed the top back on, then set it back on the dresser. “A rare, valuable collection of Russian Art Nouveau jewelry and decorative arts is arriving in Heron’s Cove soon. Perhaps as soon as tomorrow. I’m afraid it’s another long, sad Russian story, but I don’t need to tell it, do I, Emma Sharpe? This one you already know.”
    “I’ve learned in my work not to make assumptions.” Emma kept her voice neutral, despite her shock at mention of the collection. “Why don’t you tell me what you know?”
    Tatiana sighed at the practice painting. “You didn’t wait for one color to dry before you tried another color. They bled together, and now you have mud.” She glanced disapprovingly at Emma. “You must not give in to the excitement of creative inspiration at the expense of craft. You must make the tension between the two work for you. That’s true mastery.”
    “Tatiana…”
    “You grow impatient,” she said lightly. “It’s the Rusakov collection. A dozen works of great beauty and artistry crafted during the last days of the Romanovs. You know it, yes?”
    Emma nodded. “I know it, yes.”
    “Twenty years ago, Dmitri Rusakov discovered the collection hidden in the walls of his Moscow mansion and hired your grandfather to help him understand it. Its history, its provenance, its value. We were just small girls then, you and I.”
    Emma remembered her grandfather coming home from Moscow and reading Russian fairy tales to her and Lucas. Later—four years ago, when she dealt with Dmitri Rusakov herself—she had learned that each of the dozen works in the collection was inspired by some aspect of Russian folk tradition. Dmitri was a former army officer who had made a fortune in oil and gas in post–Soviet Russia.
    He was also the trusted friend of the man who had called Emma last night with the Fort Lauderdale address.
    “Dmitri Rusakov has never publicized his discovery of the collection,” Emma said. “How do you know about it?”
    Tatiana pulled open the top dresser drawer and helped herself to a soft lead pencil, her dark hair hanging in her face as she continued. “Everyone in Russia knows about Dmitri Rusakov. I hear things in my work. Fabergé, Tiffany, Gaillard, Lalique—I study all the great designers of the late nineteenth century. It was a time when art met life, when an object as simple and ordinary as a cane knob, a picture frame or a cigarette case could become an artistic creation.” Tatiana smiled, a dimple showing in her left cheek. “I especially love Art Nouveau.”
    “I do, too. Who is bringing the collection to Heron’s Cove?”
    “Natalie Warren, the daughter of Rusakov’s American ex-wife.” Tatiana checked the tip of the pencil with her thumb. “Her mother died earlier this year in Tucson. I don’t think Natalie