havenât fallen in love by the end of the dance you havenât danced the tango.â
âOne dance?â I said. Even by Rosaâs standards this was extravagant. âOne dance might only be three minutes.â
âOr shorter.â
âOr longer.â
âYes. Possibly. Of course, as the case may be.â
âThree minutes to fall in love?â
I was feeling more secure in my employment these days so I didnât try to hide my scepticism.
âThis is a fact,â she said.
âOh, a fact. So you can prove it? After all a fact isâ¦â
âI know what a fact is, Lionel. And I know it to be true because it has happened.â
âTo you?â
âNo,â she said carefully. âNot to meâ¦â
She pursed her lips, ready to say more but some other thought intruded and had a cautioning effect. Her attention shifted to Table 14. Her expression changed to annoyance. âLionel, is that a dinner plate I see left out?â
Mr Hecht had been Rosaâs idea. For no reason other than to show my independence I felt I had to seek out another teacher.
Harry Singer, a cyclist and retired greengrocer, gave lessons in a studio above an Indian restaurant. Harry worked with another, younger teacher, a foreigner, Frederico, who took the more seasoned dancers.
Whereas Mr Hecht was precise in his movements and description, Harry was like the elderly shopkeeper he had once been dashing back and forth between the shelves and his counter. âOkay. Weâll try thisâ¦Watchâ¦â His hands pawed the air for a partner. He wasnât good at remembering names, but if he stared long enough and looked flustered in the right direction, sooner or later a woman would detach herself from Fredericoâs group and drag herself up the leperâs end of the hall.
âRight. I want you to do this. Like this. Walk behind me.â
I became the third dancer, the shadow at the grocerâs back, tracing out his steps, his bony head looking back over his shoulder, correcting me. âLike this,â heâd say. In this copy-me style of Harryâs I learned the gancha where the woman flicks her heel inside your forward-thrust leg. Harry had a warning: âSome donât like it. Personally I donât mind, so long as she doesnât use my trousers to wipe her shoes.â This remark produced a nervous twitter.
Harry also introduced a rock ânâ roll spin, a move of his own, and nothing to do with tango, as I discovered. He demonstrated with Diane, a short blonde woman with a wonderfully reassuring voice and manner. âI canât believe this is your first time,â she said. Of course I had lied. And once, as I spun her inside the arc of my arm, she actually applauded. âGood. Very good. Iâll dance with you any time.â Harry wasnât happy, though. His arms were folded. His face hung disapprovingly. âThat last spin,â he said, âit happened too far away. Keep your hand flat against the back and let them spin around it.â He and Diane demonstrated and Harryâs hand rode around her back, waist, round to the front. He winked. âOnce youâve got them there you donât let them get away.â
I tried to introduce the move to Rosa, and as I went to spin her I felt her resist. From the half turn where we had stalled she gave me a look of incomprehension. âWhat is this? What is this you are trying to do?â It was as though Iâd made an improper suggestion. She picked my hand off her.
I didnât want to mention the retired grocerâs lessons. I didnât want her to think I had been elsewhere, âbehind her backâ, or that I didnât have confidence in her judgment or Hecht as a dance instructor.
She looked at me suspiciously.
âJust improvising,â I said.
âYou may improvise. Sure, that is the tango. But perhaps wait until youâve learnt the steps.