and looks down at her socks, now grey with dust.
Is it the mismatch between what heâs doing and what heâs saying, what heâs doing addressed to the mother and what heâs saying addressed to her, the daughter? Unsettled, the child stays silent, her head still obstinately lowered.
âIâm delighted to meet youâ¦â the unfamiliar voice goes on, with the same affectation of formality, the same earnest kindliness.
âCome on, my darling,â the mother says through her tears â yes, sheâs really crying properly now â âgive your daddy a kiss, then!â
The child doesnât move.
The man leans towards her and kisses her. Looks at her. The child feels awkward at the touch of him. His eyes on her. Sheâs still made of stone. But heâs already sitting back up.
âYouâre not very talkative, young lady. So, you see, because Iâm of no interest to you, Iâm going to pay a bit more attention to another pretty lady,â he says with a smile.
And now heâs kissing the childâs mother, on the mouth this time, slowly, and, surprised and embarrassed, the child looks away.
âWhy donât you sit her on the bed?â the husband says to his wife.
The child is put on the bed, perched at the foot, a little way away from the couple.
âGive her my box of pipes,â he says next, indicating something on the bedside table, âto keep her busyâ¦â
The mother hands the child a small painted wooden box.
Sitting motionless, the child focuses all her attention on the lid, which is decorated with a colourful picture of a horseman on a galloping white steed. She can see nothing except this image now, shuts herself away in mindlessly contemplating it, far removed from these two people kissing and talking in hushed tones so close by. On and on go their hushed tones. Their gazing.
Inside the childâs head, in her body, something turns to ice.
*
How long will this performance last? The child now feels as if time, which went by so swiftly earlier, has stopped, as if sheâs been here for hours, sitting on the end of this bed. Sheâs been forgotten. They donât see her. Sheâs disappeared. Sheâs not in this world.
She opens the box sheâs been lent. The acrid smell of tobacco, violently unfamiliar to the child. Inside are two small pipes, one made of wood; the other has a white porcelain bowl with decorative painting. A little picture in colour: against a wooded background, huntsmen in strange clothes.
Paralysed in a sort of torpor, the child longs only to be delivered, for them to leave.
Apparently the man who is her father wonât be coming home with them today. He needs to rest a little longer.
Of the journey home alone with her mother, the child will remember nothing.
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No memories either of the days immediately after that first meeting. A black hole. An absence. As if none of it existed. As if, after that hospital visit, she abstained from looking, thinking or even feeling, or as if she had forgotten to do these things. Just got through this time, slept through this time, an interlude.
What did the mother and child say to each other over those last few days spent alone? What questions did the child ponder, what thoughts did she churn over? Thereâs no knowing.
âThe childâs going soft in the head,â concluded the grandmother when the child failed to respond to a request sheâd made for the third time.
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The child is dreaming. Itâs as if sheâs asleep on her feet.
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One day â it may have been one evening â the father eventually came home. For real this time. He came home to the apartment, all on his own, by surprise, sooner than expected. The doctors must have thought he was better.
The child was looking at some pictures when she heard the doorbell ring. Her mother, who went to open the door, let out a scream. When the child