dreamy. I use the time to pull myself together. Take a few deep breaths to slow the pulse, examine the shoes for dog shit. Look in the mirror, check my face for spattered blood. Polish the teeth with my shirtsleeve and hope my breath is not too poisonous. I slap my face for a touch of color. Drag the fingers through my hair and sniff the clothes. Tobacco and vodka and unwashed Phineas. I stare at my hands, which tremble. I tell myself that everything is right as rain. Only now do I allow the video drone in my head to replay the unhappy meeting I just had with Sugar Finch.
On the third floor of the Alamo I had disappeared into the shadows, soft and velvet. A fire alarm sounded, a low-pressure slow burning grind that hit you in the spine and made every molecule in you beg to get the fuck out of there. I waited, though. I was gonna kill this guy. I didn’t know how. I imagined he would be running when he came out of the room and I was going to sweep his legs, take him down the way Jude taught me. Then disable him with a punch to the throat and figure out how to stop his heart beating. Maybe I would ram my thumbs into his eyes and just keep digging until I struck gold, until I scooped out brain matter. But when he came out of room 39, Sugar Finch wasn’t running. He was walking, right at me. Like he knew I was there, like the motherfucker could see me plain as day. I went low and tried to sweep his legs but it was a joke. He was way too fast andhe jumped right at me. He was on top of me like a spider on a moth, his hand on my throat.
He leaned close and said, I remember you. You saved my life today. I won’t forget that. But come to my house even once more and you won’t walk again.
He stood up, yanking me to my feet. I could barely breathe.
I remember your girl too, he said. That pussy tasted just like sunshine. He grinned, and licked his teeth. I should have kissed you goodbye that day, you could have tasted her on my mouth.
Then he was gone, blowing away easy as smoke.
Now the elevator groans and the doors open on the twelfth floor of the King James.
The hallway before me is silent. Blue and comforting. The light is soft and there are no shadows. Hum of a faraway ice machine. Lush carpet underfoot, dark as midnight with random flowers and triangles of pink and gold. And so soft that my footsteps are a whisper. I could fall over dead and the carpet would swallow the noise and this is why I love hotels. Two a.m. and two p.m. are interchangeable. The light is ever gentle. There is always ice to be had and a body may hit the floor without disturbing anyone. The room numbers descend to the left and I move along in search of 1221, the fingers of my right hand trailing down the wall behind me. The hall twists and turns and intersects itself more than I feel is necessary, and I wonder if the rooms come in unusual shapes and sizes. I am soon lost down a narrow tributary and the numbers are pissing me off. They irrationally grow larger on one side and smaller on the other. I pass 1217, 1219 and stop. Blue midnight stretches before and behind me. Traces of pink and gold and the underwater light of dreams.
The door to 1221 is cracked open. Not a mistake Jude would generally make, not in this life or the next. I push it open ever so gentle, and still there is a soft hiss of escaping air, as if I have just opened the hatch of a spaceship. The room is five degrees colder than the hallway and completely fucking dark. The door closes softly behind me and I’m blind as an underground beast.
Exhale and wonder.
The brain of your average human male is damp and slippery and the descent into adolescent fantasy is as casual as falling off a log. I turn on the light and Jude is naked and blue on the bathroom floor, a plastic bag over her head. I turn on the light and Jude is lounging on a puffy white bed in black leather pants and nothing else. Tangle of wet black hair on white pillows twisting like snakes and the pants are so tight they