Harlan Ellison's Watching
to be there, I cannot remember. But I was adapting swiftly, metamorphosing in just one evening into a creature as sly and tricksy as a television network executive; and I conned my way inside. I got past the usherette somehow, hid out in a different area of the seats than the one previously discovered by the posse, and settled down with my thumb in my mouth to see how the evil C. Bagley Beetle and his two thugs, Smack the Mosquito and Swat the Fly, conspired to mulct Mr. Bumble, the proprietor of the Honey Shop (and the father of Honey Bee, Hoppity's girlfriend), out of his property.
     
    This time I got to watch about twenty-five minutes of the film before I saw the flashlight beam bobbing down the aisle. I ducked. They went down the right-hand aisle, across the front of the audience, and up the left-hand aisle. I was on the floor. They missed me. I stuck my head up and watched the movie from the floor. Other patrons began hissing at me. I sat in my seat. I watched, mesmerized, despite the breaks in continuity occasioned by my frequent absences and nosedives.
     
    They snuck up on me from behind, and snatched me out of my seat. This time it was my mother, in the company of the Assistant Manager. Gramma had called her to come back from the restaurant. She was not all that free with approbation for my ingenuity and tenacity. She held me aloft by my hair like a small beast chivvied from its lair by runny-nosed hound dogs. At the entrance to the Heights, the Assistant Manager waggled a finger at my mother and enunciated the evils of Interdicting Honest Merchants in Their Attempts to Recover from the Great Depression, culminating with remarks best summed as, "Keep your loathsome brat to home, lady!"
     
    I was jammed into the glove compartment of the family Plymouth, was freighted back to durance vile, was stripped to the skin, was dressed for bed in a monstrously oversized pair of Grampa Harry's pajamas, and was stapled by Swingline into the bed.
     
    My mother never hit me, but the voodoo curses and vivid word-pictures of my imminent demise should I budge from the bed served to cow me. My mother left, I heard the front door slam as she rushed away back to the restaurant, and I lay there for a full five minutes before I crept to the bedroom door, cracked it and heard Bob Hope introducing Frances Langford on the radio. And in pajamas fitted by Omar the Tentmaker, I made good my Great Escape for the third time. Barefoot. Crazed with determination. Now completely a creature who would ever-after have a helluva time dealing with rules and authority.
     
    Knowing they'd be watching for me at the front door, I circled the theater in my pajamas until I found the exit doors. One of them was ajar. I slipped inside, and went to ground in the very first row, my head tilted up at a ninety-degree angle in hopes of making some vague sense of the plight of Hoppity and the inhabitants of the bug village, now displaced by the high-steel construction, in constant danger and seeking a place to draw a safe breath. As you might well imagine, there was a shitload of identification with the bugs.
     
    Of course, they nabbed me again.
     
    My memory at this point becomes blurred, possibly with the recalled pain of thumbscrews and vats of boiling pitch. The night passed with all the charm of Tom Brown's School Days, and I cannot tell you how many times more I broke out, or if I did get away a fourth time. When I dream of this incident, it does seem to go on for eternities.
     
    I never did get to see the complete Mr. Bug Goes to Town until something like the mid-Sixties when it became available on videocassette. Today I have it in my private collection, and every once in a while, far more often than the quality of the film commends, I take it down and watch it. My wife has emerged from sleep in the wee hours to find me sitting cross-legged on the living room floor, watching insects.
     
    But had it not been for the Fleischer Brothers, I might easily have
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