didnât gild a soft, sleepy face. The bed was empty.
Jessie picked up Kateâs Miss Piggy phone and dialed Patâs number. âHi. No oneâs here right now, but just leave a message and weâll buzz you back. Promise.â The last wisps of sleep vanished from her consciousness. It was all real.
A little jolt went through herâa jolt of fearâbut it triggered a hopeful image of Pat driving back from wherever theyâd been and dropping Kate off at school. Jessie hurried into the bathroom. She jerked a brush through her hair. She splashed cold water on her face and rubbed it hard with a towel. She put on respectable clothes and went out.
A million dollarsâ worth of European cars were double-and triple-parked in front of the Santa Monica Childrenâs School. Jessie squeezed into their midst and increased the total by $3,240, the current book value of her car. She had no objection to public schools, but Pat had insisted on private education for Kate, and he was willing to pay the cost.
Jessie didnât see Pat, Kate or the blue BMW. Children filed through the front door. Cars sped away. At 9:02 a black man in a security guard uniform came to close the door. Jessie got out of her car and entered the building.
Room 24 had a picture of the Great Wall of China on the door. Jessie opened it and went in. The children were settling at their desks. Kateâs seat was at the back of the first row. It was empty.
At the next desk sat Cameo Brown, watching her with interest. Jessie tried to smile, but her face wouldnât cooperate. She turned to go. A bony little woman came in. Miss Fotheringham. âBonjour, classe,â she said, and then saw Jessie. âMiss Shapiro? May I help you?â
âIâm looking for Kate. I thought perhaps her father had brought her. Thereâs been a mix-up.â
Miss Fotheringham glanced at the empty desk, then at Jessie. She pursed her lips, then opened them and said, âWhy donât you try the office?â Jessie felt her name going up on Miss Fotheringhamâs list of Bad Mothers.
In the office, the secretary riffled through the phone message slips. Jessie surveyed the bulletin board. It was covered with work by the children. A poem caught her eye.
My Mom by Cameo Brown
Looks so good
looks so nice
always makes you
pay the price
lips so blue
and eyes so green
I only see her
on Halloween
My Malibu mom .
âA,â Miss Fotheringham had written at the bottom. Jessie had her first insight into Kateâs and Cameoâs friendship.
âSorry,â said the secretary, looking up. âNo calls.â
Jessie went home. She paced back and forth across the kitchen floor. Then she called Barbara Appleman.
âYeah?â a sleepy man answered. For a moment Jessie thought sheâd dialed the wrong number.
âBarbara Appleman, please?â
âShe left for the office. Should be there in half an hour or so.â He sounded very young. Jessie thanked him and hung up.
She called Gem Sound. She called the Hollywood Recording Studio. She called Pioneer Air. She called Electric Wing Recording. She called Bright Things A&R. Pat wasnât at any of them. No one expected him or knew where he was. There was no one else to call. She didnât know his friends, and he had no family: he was an only child, and his parents had died in a car crash back east; heâd dropped out of high school and gone to California soon after.
Jessie put the phone down. Then she picked it up again, toying with the buttons. Perhaps others had left messages on his machine, messages that might reveal where heâd gone. The machine had remote playback capabilityâJessie had bought it herself, just after making her break from the Getty and going freelance. She searched her mind for the number code. It wasnât there. She tried Patâs number anyway, hoping her fingers would remember by themselves. She listened to the
Monika Zgustová, Matthew Tree