Girl with a Pearl Earring Read Online Free PDF Page B

me. She led me up the stairs, climbing slowly, holding tightly to the rail to pull her bulk up.
    At the studio she searched among the keys, then unlocked and pushed open the door. The room was dark, the shutters closed—I could make out only a little from the cracks of light streaming in between them. The room gave off a clean, sharp odor of linseed oil that reminded me of my father’s clothes when he had returned from the tile factory at night. It smelled like wood and fresh-cut hay mixed together.
    Catharina remained on the threshold. I did not dare enter before her. After an awkward moment she ordered, “Open the shutters, then. Not the window on the left. Just the middle and far windows. And only the lower part of the middle window.”
    I crossed the room, edging around an easel and chair to the middle window. I pulled open the lower window, then opened out the shutters. I did not look at the painting on the easel, not while Catharina was watching me from the doorway.
    A table had been pushed up against the window on the right, with a chair set in the corner. The chair’s back and seat were of leather tooled with yellow flowers and leaves.
    “Don’t move anything over there,” Catharina reminded me. “That is what he is painting.”
    Even if I stood on my toes I was too small to reach the upper window and shutters. I would have to stand on the chair, but did not want to do so in front of her. She made me nervous, waiting in the doorway for me to make a mistake.
    I considered what to do.
    It was the baby who saved me—he began wailing downstairs. Catharina shifted from one hip to the other. As I hesitated she grew impatient and finally left to tend to Johannes.
    I quickly climbed up and stood carefully on the wooden frame of the chair, pulled open the upper window, leaned out and pushed the shutters open. Peeking down at the street below, I spied Tanneke scrubbing the tiles in front of the house. She did not see me, but a cat padding across the wet tiles behind her paused and looked up.
    I opened the lower window and shutters and got down from the chair. Something moved in front of me and I froze. The movement stopped. It was me, reflected in a mirror that hung on the wall between the two windows. I gazed at myself. Although I had an anxious, guilty expression, my face was also bathed in light, making my skin glow. I stared, surprised, then stepped away.
    Now that I had a moment I surveyed the room. It was a large, square space, not as long as the great hall downstairs. With the windows open it was bright and airy, with white-washed walls, and grey and white marble tiles on the floor, the darker tiles set in a pattern of square crosses. A row of Delft tiles painted with cupids lined the bottom of the walls to protect the whitewash from our mops. They were not my father’s.
    Though it was a big room, it held little furniture. There was the easel and chair set in front of the middle window, and the table placed in front of the window in the right corner. Besides the chair I had stood on there was another by the table, of plain leather nailed on with brass studs and two lion heads carved into the tops of the posts. Against the far wall, behind the chair and easel, was a small cupboard, its drawers closed, several brushes and a knife with a diamond-shaped blade arranged on top next to clean palettes. Beside the cupboard was a desk on which were papers and books and prints. Two more lion-head chairs had been set against the wall near the doorway.
    It was an orderly room, empty of the clutter of everyday life. It felt different from the rest of the house, almost as if it were in another house altogether. When the door was closed it would be difficult to hear the shouts of the children, the jangle of Catharina’s keys, the sweeping of our brooms.
    I took up my broom, bucket of water, and dustcloth and began to clean. I started in the corner where the scene of the painting had been set up, where I knew I must not move a