thrown in a deep wishing fountain.
IRRECONCILABLE
DIFFERENCES
CHAPTER 6
OCTOBER 1977
Itâs over a month since her father left. In her red kimono, her mother plays game after game of solitaire at the table in the parlor. âHe isnât coming back,â she says. She doesnât take her eyes off the cards. âIt doesnât mean he doesnât love you.â Then she says some other words meant for Mira not to understand: irreconcilable differences, separation by consent . In response, Mira has her own words. âYou said you loved him! You lied!â Rachelâs face is set in stone. âThis really has nothing to do with love.â
Her mother reaches out and grabs Miraâs arm. âThe only reason we got married,â she says, âis that we were in love.â She turns back to her game of solitaire. Slap, slap . The cards continue.
Mira feels a jab of hate for her mother. She thinks about that loose snapshot in her parentsâ wedding album. How many times has she stopped when leafing through this album to stare at this snapshot, which is a different size and shape than the official wedding photos? Her mother, in her long white dress, is standing on top of a table full of young men. Sheâs striking a pose, her head thrown back wildly, and sheâs laughing. The men have their bow ties loosened and the table is littered with corsages. Itâs late in the evening. Miraâsfather also sits at the table. Unlike the other men, her father is not laughing. His arms hang at his sides. He stares up at his wife, gaping, as if he is caught in a fire, burning alive.
âMy mom is totally destroyed,â she says to her friends who stand around her in the dressing room. âShe wails all day and night. You canât even go near her. She wears this kimono and doesnât take it off. And she doesnât shower.â Only the part about the kimono is true.
There is a part of Mira that has floated free with her father. The part that is left cares less about what others think and whether what she says is true or not. She often feels like laughing suddenly, for no reason.
âMaybe you should call Social Services,â says Meaghan.
âOh, come on,â says Val, gnawing on her fingers. âYouâre exaggerating.â Valâs parents split when she was five and her sister was seven. When theyâd met, Val was the one with tough luck, without a father, and with a shitty childhood. Mira, with her two parents, with her big house, couldnât understand, didnât know . Now Val is afraid of losing her trump card.
âAre you saying Iâm lying?â says Mira, staring hard at Val. She never used to be able to stare at anyone without looking away before.
âYes,â says Val. She turns to Delia and whispers something in her ear. Meaghan titters, then whispers something to Delia.
âWhat?â says Mira. âWhat?â
When she gets off the train in Manhattan, she walks slowly down the streets, looking at each window of each apartment. A million people hiding behind curtains, her father in one of them. That you could lose your father in a city. That he can disappear into the streets, leaving only cuff links behind. It makes her stomach feel funny.
âHurry up,â says Val. âIâm sick of always waiting for you.â Val rushes on ahead.
Mira goes up to a doorman standing in front of the giant apartment building on Fifty-sixth. It could be this very building. âIs Carl Able staying here?â she says to the doorman in his livery. âHeâs my dad.â
The doorman steps inside and pulls out a clipboard from behind his desk. His chin doubles over as he pursues his list. âSometimes they forget to update me. Did he just move in?â If a doorman, whose job it is to keep track of residents, can lose count, how would she ever find her father?
October turns cold. The old shutters knock against windowsills