very ladylike. Kind of forgetful. I mean, her mind wanders, doesnât it? She asked me a couple of times if
I
was Jonathan Lugard.â
Kate smiled, although she still didnât turn around to look at me. âHer mindâs unraveling, yes. But she isnât stupid. She can see things that nobody else can see.â
âLike what, for instance?â
But Kate didnât answer me. Instead, she leaned over the dish with the tuna steaks in it, and sniffed them. âAre these what weâre having for lunch? They smell wonderfully fresh. Itâs a good thing I didnât bring Malkin.â
âI bought them this morning, from The Two Brothers on Carmine Street. I saw you in the park.â
Again, she didnât answer, but walked into the living room, and started to look through my CD collection. I followed her, with my glass of Cuvée Napa in my hand, and watched her. I loved her profile, the tilt of her nose, and her very long eyelashes.
âYou like Van Morrison?â she asked me. ââDays Like This,â thatâs a really great song.â
âI like just about everybody, almost. Classical, rock, you name it. All except for Tony Bennett.â
She turned to me. âWhy did you say that?â
âBecause I donât like Tony Bennett, thatâs all. He brings me out in hives.â
âVictor hero-worships Tony Bennett. Sometimes I used to think that Victor would like to
be
Tony Bennett. Heâs always singing along.â
I said nothing for nearly a minute, still watching Kate sort through my music. But then she held up a copy of Beethovenâs Piano Concerto No. 5 and said, âI used to have this. I love it.â
âWhatâs going on?â I asked her.
âWhat do you mean, whatâs going on?â
âI mean, why are you here?â
Kate looked bewildered. âBecause you invited me for lunch. Did you think that I wasnât going to come? Did you not
want
me to come?â
âOf course I wanted you to come. Itâs just thatâIâm sorry.â
âSorry for what?â
âLast night. I couldnât help hearing what was going on downstairs.â
âOh.
That.
You donât have to worry about that.â
âIâm not. I mean, whatever you want to get up to, thatâs your business. Hereâlet me make us some lunch.â
She came up to me, very close. âYou
do
like me?â she asked.
âOf course I like you. I like you very much. I mean, I hardly know you, but somehowââ
âDo you think that matters? That you hardly know me? I could come up here for lunch every day for a year, and the chances are that you still wouldnât know me very much better. Victor and I, we got married in April 2002. He still doesnât know what music I like or what perfume I wear or how much I love sunflowers.â
I looked closely into her eyes. It was like looking out of a window on an overcast day.
âSunflowers,â I repeated, and I laid my hand on her shoulder and kissed her. I had kissed women like that before, just becauseI felt like it, but I felt that Kate had been
expecting
me to do it. We kept our lips pressed together only for a moment, and neither of us closed our eyes, but when I stood up straight again, Kate was smiling at me with obvious pleasure.
âTuna,â I told her.
âMy God, Gideon Lake. You say the most romantic things.â
âDonât I just? But I have to sear the tuna. Otherwise lunch wonât be ready till suppertime.â
She followed me into the kitchenette and stood close beside me as I took down my cast-iron skillet and put it onto the gas to heat up.
âSing me something else youâve written,â she urged me.
âIâll play you some more of my TV themes after lunch. You ever watch
Laurel Canyon
? I wrote the theme for
Laurel Canyon
. And
Foznick & Son
. . . you know that comedy with Sean MacReady? âAre