clientele, too. In addition to the manual laborers and students who had always drifted to The George, they now got young professionals from the gentrified area a few blocks away, amused at the dragon theme of the restaurant and intrigued by Tom's culinary experimentation.
They were—from what Tom understood of the raised eyebrows of his accountant, who was a man of few words—doing very well indeed, having unwittingly become the spearheads of the push for gentrification in that area of Fairfax. But the money that came in went out again very quickly, and the improvements fueled other improvements. There were waiters to pay and Anthony's salary had been raised since he'd become manager. To keep the better clientele, Tom had bought new silverware and dishes and improved the quality of everything from the paper goods to the coffee mugs. His own self-respect as a cook had forced him to buy better quality meat.
His father—when they talked—assured him all this would eventually pay off and while the cycle seemed fruitless and inane right now, eventually the money coming in would outstrip the need for improvements and Tom and Kyrie would find themselves wealthy or close to it. Today was not the eve of that day, though. Their separate bank accounts, if pooled, would net them maybe two thousand dollars. On which they had to live for the month. Not enough for this type of repair.
He could, of course, ask his father for help, but just the idea of it was enough to give him heartburn. He'd solved—he thought—his life-long struggle with his father. While his father was not the best of parents, neither was Tom the best of sons. But still . . . Edward Ormson had forced his sixteen-year-old son out of the house at gunpoint onto the streets of New York City on the day he found that Tom shifted shape into a dragon.
Tom could forgive, but he could not forget. He'd accepted the diner, but even that had smarted, and he'd only accepted it because he could tell how much Kyrie wanted it. And he'd talk to his father and be civil when he called because the man was trying his best to establish a relationship. And Tom was not so flush with friends that he could turn down anyone willing to befriend him. Even if it was his own father.
But he'd be damned if he was going to go cadging his father for money. He'd be damned if he'd go back to his father every time he found himself in a scrape. He'd be damned if he gave his father reason to think of him—ever again—as his fucked-up son.
He'd rather live on the streets, he thought decisively, as he made his way back to the table and sat down, cup in hand. He'd done it before.
He looked up, frowning slightly, to meet Kyrie's attentive gaze on him. She was examining his face—probably for signs of the madness that had caused him to shift in the bathroom.
When she saw him looking, she smiled. "Have a cookie."
* * *
What Kyrie wanted to know was why he'd shifted. But she was terrified that if she asked him, he'd feel the need the shift again. After all, whatever it was had to be powerful enough to cause a visceral panic reaction. Thinking about it might bring on another shift.
His eyebrows lowered a little and as he took a bite of the cookie, he did it as if it required a large amount of concentration. When he looked back at her, his gaze remained worried and more than a little bit confused.
"I figured," he said, his tone slow and calculating. "I might be able to get a loan. But I don't know how because I don't want to mortgage The George because that's yours too and, you know—"
"What?" She hadn't meant to interrupt, but the last thing she'd expected was for him to start talking money.
"The bathroom," he said, gesturing airily.
"Oh, that. I looked at the walls and they seem to be fine. You just peeled the tile off and destroyed the plumbing and appliances. Cosmetic stuff. We'll find a handyman. Place is solidly built." She shrugged. "Yeah, we'll borrow if we have to. We could do it