a minimalist.â
Kate considers this proposition and finds some truth in it.
âThe other element in all this is the amp,â says Bob. âThe guitar and the pickup and the effects units create and modify the signal, and then the amplifier messes it all up some more in its own special way, and cranks it out at skull-crushing volume.â
âAnd people like that even more?â Kate asks.
âYes, Kate, some people really like that a lot, believe me.â
âYes, Iâll buy that,â says Kate. âJenny Sladeâs performance wouldnât have been the same if it had been quiet.â
âLook, Kate, hereâs the true juice,â Bob announces. âYou can quote me on this. Life is like a guitar solo. Itâs loud, shapeless and it goes on too long. Sometimes itâs tuneless, sometimes itâs cliched, either way itâs damned difficult to get it right, and even if youâve done your best and youâre pleased with what youâve achieved, you can be sure a lot of people are going to hate it and dump all over you and tell you youâre a loser.â
âArenât
you
the philosopher?â Kate says, not unkindly. âDo I really need to know all this background just to be able to appreciate Jenny Sladeâs music?â
âYes, Kate, you do. Because once you know and understand the background youâll see that the whole of history,of invention, of technical and artistic development, has existed for one reason and one reason only; to bring Jenny Slade to us.â
âWhew,â says Kate, âthatâs heavy.â And she reaches for a drink.
âHeavy is the word,â Bob agrees, and he holds out his empty glass so that Kate can refill it.
THE JENNY SLADE INTERVIEW
Bob Arnold chews the fat with Jenny Slade
Jenny Slade was looking especiallygood when I caught up with her in LAâs favourite watering hole, the Giant Anaconda Room. Her look was fearlessly eclectic: the bondage pants, the boob tube, the bolero jacket, the leopardskin pork pie hat, all creating a striking, provocatively sexual image that few could carry off. And yet why did I feel that these fine feathers were hiding a deep hurt? She might have looked like a major babe, but it seemed to me that she was blubbing inside.
I started with a lively and provocative question. âWhat happened to all your money, Jenny?â
âDid I ever have any?â she replied wearily. âWell, maybe I did. I donât know where it went. I guess I spent it all on cheap boys and expensive guitars. Or perhaps it was the other way round; cheap guitars and expensive boys. I forget. Either way, I was never in it for the money, which I agree is perhaps just as well.â
âAnd how long have you been playing the guitar?â
âFor about the same amount of time that the guitarâs been playing me,â she quipped gaily, and I got the sense that here was one lady who wasnât going to betray her age.
âI think of you as a true radical,â I said, getting bolder now. âAlways out of step but never out of touch.â
âAre you trying to say that I do not grow old as thosewho are left grow old?â she intoned.
âI think Iâm trying to say that you have a different relationship to the space/time continuum than the rest of us poor mortals.â
âHmm,â said Jenny, more seriously. âI will say this: as I get older the appetite for drink and drugs and untrustworthy boys recedes, but the urge to pick up an electric guitar and make a godawful noise just wonât go away.â
âAnd would you say the guitar is a hard instrument to play?â I quizzed provocatively.
She looked at me glancingly, and I knew there was going to be iron
and
irony in her reply.
âOf course it is,â she said. âIf it was easy people like you would be doing it.â
I knew she meant it kindly and we laughed together like old