museum.
An ancestorâs Civil War cap and belt buckle, a glass jar filled with spent shells, a dented bugle, a cavalry officerâs sabre, a canteen with the initials JDA scratched into the metalâthese were only a few pieces of the memorabilia that had been passed down to her. Shane knew there was a trunk in the attic filled with uniforms and old dresses. There was a scrawled journal that had been kept by one of her great-great-uncles during the three years he fought for the South, and letters written to an ancestral aunt by her father, who had served the North. Every item would be listed, dated, then put behind glass.
Shane might have inherited her grandmotherâs fascination for the relics of history, but not her casualness. It was time the old photos and objects came down from the shelf. But as always when she examined or handled the pieces, Shane became caught up in them.
What had the man been like who had first blown that bugle? It would have been shiny then, and undented. A boy, she thought, with peach fuzz on his face. Had he been frightened? Exhilarated? Fresh off the farm, she imagined, and sure his cause was the right one. Whichever side he had fought for, he had blown the bugle into battle.
With a sigh, she took it down and set it in a packing box. Carefully, Shane wrapped and packed until the shelves were clear, but for the highest one. Standing back, she calculated how she would reach the pieces that sat several feet above her head. Not bothering to move the heavy ladder from across the room, she dragged over a nearby chair. As she stood on the seat, a knock sounded at the back door.
âYes, come in,â she called, stretching one arm up while balancing herself with a hand on one of the lower shelves. She swore and muttered as her reach still fell short. Just as she stood on tiptoe, teetering, someone grabbed her arm. Gasping as she overbalanced, Shane found herself gripped firmly by Vance Banning. âYou scared me to death!â she accused.
âDonât you know better than to use a chair like that?â He kept his hands firmly at her waist as he lifted her down. Then, though heâd had every intention of doing so, he didnât release her. There was a smudge of dust on her cheek, and her hair was tousled. Her small, narrow hands rested on his arms while she smiled up at him. Without thinking, Vance lowered his mouth to hers.
Shane didnât struggle, but felt a jolt of surprise. Then she relaxed. Though she hadnât expected the kiss then, she had known the time would come. She let the first stream of pure pleasure run its course.
His mouth was hard on hers, with no gentleness, no trace of what kissing meant to herâa gesture of affection, love or comfort. Yet instinct told her he was capable of tenderness. Lifting a hand to his cheek, Shane sought to soothe the turbulence she sensed. Immediately, he released her. The touch of her hand had been too intimate.
Something told Shane to treat it lightly no matter how her body ached to be held again. Tilting her head, she gave him a mischievous smile. âGood morning.â
âGood morning,â he said carefully.
âIâm taking inventory,â she told him with a sweeping gesture of the room. âI want to list everything before I haul it upstairs for storage. I plan to use this room for the museum and the rest of the first floor for the shop. Could you get those things off the top shelf for me?â she asked, looking around for her clipboard.
In silence, Vance moved the ladder and complied. The fact that sheâd made no mention of the turbulent kiss disconcerted him.
âMost of the work will be gutting the kitchen and putting one in upstairs,â Shane went on, giving her lists another glance. She knew Vance was watching her for some sort of reaction. She was just as determined to give him none. âOf course, some walls will have to be taken out, doorways widened. But I donât
Janwillem van de Wetering