clear, I hope?" I asked cheerfully as he neared the door.
"Oh, yes!" he said. "Thank you; yes!"
"Anything else?" I shouted as he passed out into the courtyard. "Anything else I can do? You'll always find me in the room over the office, Room H, down the little iron staircase," I nodded genially to him as he disappeared.
In this way did we exchange, the Inventor and I, those expert confidences and mutual aids in either's technical skill which are too rarely discovered in modern travel.
The Views of England
England is a country with edges and with a core. It is a country very small for the number of people who live in it, and very appreciable to the eye for the traveller who travels on foot or in a boat from place to place. Considering the part it has in the making of the world, it might justly be compared to a jewel which is very small and very valuable and can almost be held in the hand. The physical appreciation of England is to be reached by an appreciation of landscape.
It so happens that England is traversed by remarkable and sudden ranges; hills with a sharp escarpment overlooking great undulating plains. This is not true of any other one country of Europe, but it is true of England, and a man who professes to consider, to understand, to criticize, to defend, and to love this country, must know the Pennines, the Cotswolds, the North and the South Downs, the Chilterns, the Mendips, and the Malverns; he must know Delamere Forest, and he must know the Hill of Beeston, from which all Cheshire may be perceived. If he knows these heights and has long considered the prospects which they afford, he can claim to have seen the face of England.
It is deplorable that our modern method of travel does cut us off from such experiences. They were not only common to, they were necessary to our fathers; the roads would not be at the expense of tunnelling through hills, and (what is more important) when those men who most mould the knowledge of the country by the country (the people who deal with its soil, who live separate upon its separate farms) visited each other upon horses; and horses, unlike railway trains, cannot climb hills. They puff, they heave, they snort, as do railway trains, but they climb them well.
On this account, because the roads for the carriages went over hills, and because the method of visiting even a near neighbour would permit you to go over hills, the England of quite a little time ago was familiar with the half-dozen great landscapes of England. You may see it in that most individual, that most peculiar, and, I think, that most glorious school of painters, the English landscape painter, Constable with his thick colours, Turner with his wonderment, and even the portrait painters in their backgrounds depend upon the view of the plains from a height. To-day our landscape painters sometimes do the same, but the market for that emotion is capricious, it is no longer the secure and natural way of presenting England to English eyes.
If you will consider these plains at the foot of the English hills you will find in them the whole history of the country, and the whole meaning of it as well. Two occur to me first: The view of the Weald (both Kentish and Sussex) through which the influence of Europe perpetually approached the island, not only in the crisis of the Roman or the Norman invasions, but in a hundred episodes stretched out through two thousand years--and the view of the Thames Valley as one gets it on a clear day from the summits of the North Downs when one looks northward and sees very faintly the Chilterns along the horizon.
This last is obscured by London. One needs a very particular circumstance in which to appreciate it. The air must be dry and clear, there must be little or no wind, or if there is a wind it must be a strong one from the south and west that has already driven the smoke from the western edge of the town. When this is so, a man looks right across to the sandy heights just north of the