Arkbeck Farm. âI told her you were here â¦â She shrugged.
That was odd, Banks thought. Surely a mother would want to comfort her daughter and protect her from prying policemen? âHave you remembered anything else?â he asked.
Alison Rothwell looked worn out and worried to death. She wore her hair, unwashed and a little greasy, tied back, emphasizing her broad forehead, a plain white T-shirt and stonewashed designer jeans. She sat with her legs tucked under her, and as she talked, she fiddled with a ring on the little finger of her right hand. âI donât know,â she said. The lisp made her sound like a little girl.
They sat in a small, cheerful room at the back of the house with ivory-painted walls and Wedgwood blue upholstery. A bookcase stood against one wall, mostly full of paperbacks, their spines a riot of orange, green and black. Against the wall opposite stood an upright piano with a highly lacquered cherry-wood finish. On top of it stood an untidy pile of sheet music. WPC Smithies, who had stayed with the Rothwells, sat discreetly in a corner, notebook open. Phil Richmond was upstairs in Keith Rothwellâs study, clicking away on the computer.
The large bay window, open about a foot to let in the birdsongs and fresh air, looked out over Fortford and the dale beyond. It was a familiar enough view to Banks. He had seen it from âMaggieâs Farmâ on the other side of Relton, and from the house of a man called Adam Harkness on the valley bottom. The sight never failed to impress, though, even on a dull day like today, with the grey-brown ruins of Devraulx Abbey poking through the trees of its grounds, the village of Lyndgarth clustered around its lopsided green and, towering over the patchwork of pale green fields and dry-stone walls that rose steeply to the heights, the forbidding line of Aldington Edge, a long limestone scar streaked with fissures from top to bottom like gleaming skeletonâs teeth.
âI know itâs painful to remember,â Banks went on, âbut we need all the help we can get if weâre to catch these men.â
âI know. Iâm sorry.â
âDo you remember hearing any sounds between the time they went outside and when you heard the bang?â
Alison frowned. âI donât think so.â
âNo sounds of a struggle, or screaming?â
âNo. It was all so quiet. Thatâs what I remember.â
âNo talking?â
âI didnât hear any.â
âAnd you donât know how long they were out there before the explosion?â
âNo. I was scared and I was worried. Mum was sitting facing me. I could see how frightened she was, but I couldnât do anything. I just felt so powerless.â
âWhen it was all over, did you hear any sounds then?â
âI donât think so.â
âTry to remember. Did you hear what direction they went off in?â âNo.â
âAny sounds of a car?â
She paused. âI think I heard a car door shut, but I canât be sure. I mean, I didnât hear it drive it away, but I think I kept sort of drifting in and out. I think I heard a sound like the slam of a car door in the distance.â
âDo you know which direction it came from?â
âFarther up the daleside, I think. Relton way.â
âGood. Now, can you remember anything else about the men?â âOne of them, the one who touched me. Iâve been thinking about it. He had big brown eyes, a sort of light hazel colour, and watery. Thereâs a word for it. Like a dog.â
âSpaniel?â
âYes. Thatâs it. Spaniel eyes. Or puppy dog. He had puppy-dog eyes. But theyâre usually ⦠you know, they usually make you feel sorry for the person, but these didnât. They were cruel.â
âDid either of the men say anything else?â
âNo.â
âDid they go anywhere else in the house? Any other