them, pulling them, pushing them about, bullying them, terrorising them. Now they no longer feel the power of the controlling hand they are having their revenge: they present themselves, push their way before me, reveal their constancy. How indeed to take account of the panic which grips me on seeing them? This chair, this table, the sweeping curve of this standard lamp and the shade, scorched in the areas near the bulb, that hangs submissively, so to speak, from it—each one of themnow jostles me and surrounds me with sham meekness, like forgiving, mournful nuns after some king of drubbing. They want to convince me that nothing has happened, though as I recall it, I have lived through something with them, an adventure, let us say—the adventure of writing, and I supposed that in pursuing a certain path to its very end my life had altered. But nothing at all has altered, and now it is clear that with my adventure it was precisely the chances of altering that I forfeited. This twenty-eight square metres is no longer the cage from which my imagination soared in flight every day, and to which I returned at night to sleep; no, it is the real arena of my real life, the cage in which I have imprisoned myself.
Then there is another thing: the strangeness of mornings. There was a time when I would awake at dawn; I would restlessly watch the light prising the cracks in the window blinds, waiting until I could get up. Over breakfast tea I exchanged only a few obligatory words with my wife; subconsciously I was just watching out for the time when I would finally be left to myself and, having completed the indispensable ablutions, be able to devote myself to the stubbornly waiting and perpetually recalcitrant paper. These days, however, out of some peculiar compulsion, it seems as if all I do is excuse myself; at breakfast I talk to my wife, and she is delighted at the change, not suspecting its cause; and when she leaves I catch myself anxiously following her in my thoughts …
At this point, the old boy thought that he might have heard the telephone ringing, but, having loosened one of the pliable wax plugs, ascertained that it was merely the noises from Oglütz as well as The Slough of Deceit swirling about him, perhaps just at a somewhat higher frequency than usual; and this bit disturbance mayexplain why he had to search for the continuation, and also why—as the lack of this continuity indeed demonstrates—he must have skipped a few lines of the text at this point:
I sense all kinds of traps opening up beneath my feet, I compound one mistake after another; every perception I make, everything that surrounds me, serves only to attack me, to cast doubt on and undermine my own probability.
I wonder when it was that these nuisances began. I don’t know why: it seems a person finds it reassuring to discover a starting point, some possibly arbitrary reference point in time that he can subsequently designate as the cause. Once we believe we have discovered a cause, any trouble appears rational. I suppose I never truly believed in my own existence. As I have already hinted earlier, I had good, sound, one might say objective, reasons for that. When I was writing my novel, this deficiency paid remarkable dividends as it became practically a work tool for me; it was worn down in the course of my daily activity, and when it had tired of my converting it into words, it did not bother me further. The trouble only started up again when I had finished my novel. I can still remember how those last pages were written. It happened three a and half months ago, on a promising May afternoon. I sensed that the end was within my grasp. It all depended on my wife. That evening she was due to visit one of her woman friends. During dinner I was tensely alert to whether she might be tired, not in the mood … I was lucky; I was left on my own. A sudden attack of diarrhoea delayed me from setting to the paper straight away. I had to ascribe this
Krystal Shannan, Camryn Rhys